He was joking.
The fix is straightforward, but the (accurate) detection is a nigthmare. I do it manually checking the source running at 10fps or lower in term of speed, in addition to automatic procedures (that gives false positives and false negatives).
In general, you end up with single (or multiple!!!) even or odd or both fields being shifted up or down by 1, 2, ... 7 pixels. As I said, a nigthmare![]()
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Last edited by CaptureCraft; 3rd Jun 2026 at 07:20.
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To get rid of the all vertical jitter (lost lines) you need a really good DVD recorder like Panasonic ES10/15. Other models would be helpful too, but not as efficient as Panasonic.
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BM, Magewell, AJA KONA LHi.
If you tell to VD2 not to intervene (do not insert, do not drop, do not re-sync), then timestamps from capture card are useless and the only reason for video and audio be out of sync is to have frames missed by capture card, assuming you don't overload your OS during the capture.
Again, once I switched to good cards, I forgot what is missing frame.
My goal is to capture unchanged signal. And that's why I use VD2 because you can set there a lot of things. -
But by giving up timestamps you have no guarantee that the video and audio signal from Hauppauge/IO Data is in sync.
And I am even convinced that this is not the case. That's why the audio resampling option in VirtualDub is so crucial to achieving audio video sync.
That's why these are (semi?)professional cards, not USB donglesAgain, once I switched to good cards, I forgot what is missing frame.
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I did not think you were so stupid to refer to the real time logging window, and its oscillating frame frequency parameter as reference. This info is completely useless. The same happens in AmarecTV.
Bullshit! Some references here: https://www.digitalfaq.com/forum/video-restore/7577-reducing-vertical-jitter.html
Same here, you should first learn about analog capturing, you know very little about it. -
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Yes Sharc, I already answerd him
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That's a completely restored outcomes. Everybody is able to use Denoise filtering, QTGMC cleaning, Stab, Mercalli, or whatever. An example here: https://www.youtube.com/watch?v=A58IGaI5uWA
The point was to find the amount of the vertical shift of the fields and fix just that in an automatic way (the output being the original files with the shifted-fields fixed). We discussed about that few times in doom9 forums. -
If you capture all the frames, then there is no reason for video/audio be out of sync whether you have the timestamps or not.
And I do not do any resampling.
See, all the extra features are for one single purpose - to save your capture from out of sync syndrome, assuming there always will be lost frames.
If you manage to get all the frames, then you don't need to use any of them!
Yes, having such cards is good, but not good enough. You need DVD recorder/TBC in your chain. Or even 2 DVD recorders, as I have, each serving different purposes.Last edited by CaptureCraft; 3rd Jun 2026 at 11:50.
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As noted the source is VHS-C.
This also can be a the source of possible playback difficulties/issues because reels are smaller/tighter and the adapters add extra strain/stress on the tapes.
In general you should be very careful with VHS-C adapters specially in the newer quick rewind VCR's.
It is a fragile construction.
This yes.
What tracking adjustment (automatic?) was used and when?
The playback looks so much different.
Ideally you should not activate (auto) tracking directly at start op the tape/recording, which is often little worn out/damaged but somewhere later on the tape.
Many VCR's auto track only one time when you insert/play the tape.
Beside the manual override having a dedicated auto track button/function is advantageous/essential for good playback/capturing. -
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By fixing I meant placing the scanlines back to where they belong, rather than "ironing it visually out" (by some filtering, actually damaging the original capture).
Yet your proposal is visually more pleasant and may be a workaround for the OP when all his other capture attempts fail. -
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Last edited by rgr; 3rd Jun 2026 at 18:47.
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First of all no. The collecting video and audio packets are 2 independent asynchronous processes. For example from the same old log previously mentioned. Video frame comes every 40ms (PAL) in average. Audio packet comes every 50ms. They can't be synchronous.
AJA CONA gives 40ms sharp(!) for video and 33.33ms for audio packet (30 packet per second).
Second, how did you even come to such conclusion that capturing all the frames requires synchronous capture video and audio and with the same timestamp?
All you need is not to miss or drop any frame. That's all. -
If one connects an oscilloscope to the output of a (mediocre) VCR playing a (mediocre) tape and observes the analog signal with its smeared and distorted and jittery sync, framing and equalizing pulses one can imagine the herculian task of the capture device to restore and reproduce a decent interlaced picture out of such messy input signal. And finally one cannot expect from a 50$ capture card+freeware to perform the same as a full fledged pro setup - but if used correctly the results are usually quite decent and good for post processing.
Last edited by Sharc; 4th Jun 2026 at 03:34. Reason: typo
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A video frame NEVER lasts 40ms - sometimes it will be 40.01ms, sometimes 39.99ms (average for the entire tape). The rigid 40ms means it sometimes has to drop the frame (or insert). In a few hours this will be a concrete value.
(Or save all frames regardless of whether they last 39ms or 41ms - which is how VirtualDub does it by saving them with a duration of 40ms (because it writes to avi) and resampling the audio to be in sync.) -
... and there are (static) offsets from the nominal value (e.g. caused by master osc. tolerances, temperature drift and ageing of videocam and/or VHS player and timing/clocking/control circuits of subsequent gear) plus short-time fluctuations (fludder) due to servo mechanism issues and/or mechanical stress and wear (tape mechanics like VHS-C in adaptor, mechanics of the VCR ....). Many imperfections exist in real world. Different strategies how to handle these exist - more or less successful within limits.
Edit:
And b.t.w. how Vdub's capture timing options are supposed to work is nicely documented in its help menu (Video capture -> Timing dialog).Last edited by Sharc; 4th Jun 2026 at 07:17.
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How did you come to such conclusion?!?
First of all the timing I provided was for card's notification about new frame is ready to pick up, not the length of the frame.
Second, yes some frame are shorter and some are longer. However, in average is always 40ms, unless, of course, your VCR is screwed up royally.
Yes, save all the frames and no, don't resample. Why do you need to resample? Your video and audio are hard-coded on the tape. You grab all the frames and all the audio and everything will be in sync. -
Why one should care about the actual length of the frame?!? It is either there or not. That's all.
If you can't get all the frames, then yes, you have to take certain measures to keep your video and audio in sync. You can insert frames (the best) or resync the audio (the worst).
Here are my settings.
[Attachment 92571 - Click to enlarge]Last edited by CaptureCraft; 4th Jun 2026 at 09:13.
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I don't care (or at playback time only), but the capture SW perhaps in the sense of Vdub's first 2 tickmarks in its 'Timing options' for example - unless you consider these obsolete.
Anyway, I get along with Vdub and Amarec but won't sign that "Amarec always drops frames" (or Vdub "always performs better than Amarec"), especially in view of keeping A/V in sync
Last edited by Sharc; 4th Jun 2026 at 10:44.
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I'm on a side that both software capture the same number of frames because that what comes from the capture card.
However, the way they handle frames they consider missing or duplicate is a different story. And having full control over this process is one of the main reasons why I use VD2. -
As I mentioned before, I think your woes are caused by the lack of any stabilisation. Amarec performs nicely for me; the occasional insert with in-sync audio.Originally Posted by Camilo
I wouldn't say so. Here is an example:Originally Posted by Camilo
[Attachment 92581 - Click to enlarge]
You need some stabilisation of some sort. An S-VHS VCR, without a TBC, will not fix these framing problems. I did my tests with a JVC HR-S5700 and it was a mess with both programs. When I put the Pioneer after it, all problems went away. I'm in the same boat as you; it's virtually impossible to find a VCR with a inbuilt TBC, so the DVD recorder is the only option. And it has been said numerous times that in some cases, the VCR TBC can't deal with bad tapes as well as a DVD recorder (or of course a proper TBC) in the workflow. VWestlife does raise an interesting option, that of a S-VHS TBC-equipped S-VHS C camcorder. They're quite plentiful on EBay but... you pay your money and you take your chances.Originally Posted by Camilo
Personally, I'd get the Sony, which will be good for other analogue tape captures.
Considering The Doman’s comment, by way of elimination, I’d transfer one of the VHC-C tapes into a full-sized cassette. If you’ve got a good capture from one of your tapes and are prepared to wreck it (not that you will), try putting it into a full-sized cassette. The process is pretty straightforward; the reels just drop in. The YT below explains how to open a full-sized cassette. Note the tape path through the rollers on the corners; take a pic with your phone. I've done it a few times and it works. The VCR just thinks it's got a normal tape in it. That might cure the inserted frames issue.
https://youtu.be/kurE-FuqkbU -
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