Hi, assuming that what I've transferred from my camera to the computer using WinDV via Firewire is identical to what's on tape, I'm puzzled by what I'm seeing displayed on the same TV from the two sources. In addition to interlacing issues (small horizontal lines when objects move), the computer copy has less brightness, less contrast and less color saturation. Hooking up the camcorder to the same hi-def TV with an analog S-video cable, I'm of course seeing similar grain, but overall the picture looks much better, especially when footage includes contrasty sunlit subjects.
Does the camera use some kind of "boost" when playing directly from it?
If AVI is a kind of RAW, is there a "proper" way to view it or convert it to get its full potential?
Thanks!
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Hi, assuming that what I've transferred from my camera to the computer using WinDV via Firewire is identical to what's on tape
I'm puzzled by what I'm seeing displayed on the same TV from the two sources. In addition to interlacing issues (small horizontal lines when objects move), the computer copy has less brightness, less contrast and less color saturation.
You can try some post-processing on your captured avi for display on your monitor or your TV, improving the watching experience. -
Just to clarify: it's the same TV connected to the camera and to the computer.
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But isnt s-video analog converted by camera? How do you have connected digital? HDMI?
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Your TV will probably display video in the range of 16-235, so the image will be more contrasting. As a bonus, it cuts out some of the bright colors and the sky may be a bright surface without clouds. On the other hand, on a PC it can use crappy Windows Media Player, which displays video in the range of 0-255. Then the black will be gray and the contrast will be lower.
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I was wondering if there's a good tool or way to fix the brightness and contrast in AVI files to make them look more like what the camcorder shows on the TV? Would video editing software help with this?
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In addition to interlacing issues (small horizontal lines when objects move), the computer copy has less brightness, less contrast and less color saturation.
You don't want to be continually fiddling with player settings.
Re deinterlacing, VDub will do it and make the motion in your DV files much smoother because it doubles the frame rate. Read my top to tail guide for VDub here. If you still have trouble with brightness and contrast (and colour) the Colormill plugin for VDub is fantastic.
If you're tech-minded and up for a challenge, AVISynth's QTGMC filter is one of the best deinterlacers out there. No guide yet, but it's coming. -
@Ad-astra: As you are in US you might have an issue with the IRE pedestal setup (Camera settings, playback scenario).
Here an article describing what it is and what can go wrong. The principle applies generally, not only for Final Cut Pro.
It may be confusing, but your issue should be solved by adjusting your PC player (brightness, contrast, saturation) an/or your TV. Also, your player or TV has built-in deinterlacers which will deinterlace the video on the fly. They may not be of the highest quality but normally they perform quite reasonable.
I am pretty sure there is no need to butcher your DV (transferred with WinDV) with any tools.
http://www.kenstone.net/fcp_homepage/video_levels_nattress.html
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