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1. they are expecting you to do it. nobody would pay 100$ to win in internet argument.
2. avisynth is way better at denoising imo
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#1 because nobody admire the forum members enough. Take an example of me. I bought two Ax700, one in 2018 and an other in 2020, and electric gimbals (a DJI and a Zhiyun) for them. I bought a new laptop to record lossless NVENC and two Camlink 4 K for the cameras. I also spend money for A P. Pro and Neat video. I bought DJI pocket 2 camera too. Why? Just to show it off for you dear videohelp members. I rarely used my equipments, I never take them to my holydays. They were bought only to post things on Videohelp. It was the only real purpose.
#2 I did not see any proof for that, only empty promises.Last edited by Truthler; 7th Oct 2021 at 05:51.
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I can not understand the situation. It works like charm, the uploads are fast even by the 2Gbit/s optical internet standards...
It is a fantastic service, I registered there with 10 e-mail addresses, so I can upload and keep 10Gb files on each account. 10X10GB
Do you have problems with the quality of internet connection?Last edited by Truthler; 7th Oct 2021 at 10:01.
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Contacts.
In fact, contacts are often better, those don't warp vision. Glasses warp.
I also noticed that 90-95% of the people who deal with electronics, computers (videoediting programming etc..) during their worktime usually had to wear glasses. I can not prove that,
but it has a high chance that Cornucopia, Selur or Poisondeathray use thick eye glasses during their work. LITERALLY their eyes are victims of their profession.
But wearing something, anything? Sure. Almost all people need correction to reach the mythical "20/20" (6/6) value -- which in itself my be a flawed methodology for vision testing. The main reason being that so much screen time is not natural -- yet. Evolution (that thing some people don't believe in) may have something to say here, for future generations.
This is a complete BS statement.
If the shot isn't good, it's usually just dumped and re-shot. They don't screw around with the bad clip in salvage/restore type programs. Salvage is what consumers do (and/or on consumer sources), for their one-time events, shot on cheap cameras (or expensive cameras used badly). I've worked with lots of documentary filmmakers, where my job is to attempt to salvage older videotape content, hopefully to some degree that match and fits in well with the new footage.
Did you really just ask a complete camera newbie question?
ISO noise is not the same as underexposure noise. You cannot conflate those.
Is that all you have? That's really nothing more than an expensive consumer camcorder. I'm sure it can shoot fine, but it has many limitations.
By comparison, I'm currently considering a Nikon Z6 II with a Ninja, and at least one stepper lens. (I already own the Deity mic.) I've had a recent need to shoot more, and the only limitation I'll have is myself, not the camera. (The only thing holding me back is seeing if the firmware rumors are true, for adding RT tracking. Still nothing. It may overlap with the upcoming Z9 reveal.)
WTF?
You need help. And I don't mean video help.
You're bat shit crazy.
And for that reason ... I'm out.Last edited by lordsmurf; 7th Oct 2021 at 10:31.
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Nikon Z6 II is not a video camera, just a still camera which can shot video.
Where did the misconception came regarding still cameras?
DSLR mirroless etc came into fashion among photographers, who often had no practice in video production.
In the old times there were always 10-25X more poeople who shot photos as professional or amateur, than the number of video makers.
When their first still cameras started to record video, they quickly discovered the magic of video making...
Due to the large numbers of photo shooters (amateurs or professionals) it bacame a big fashion.... However real videographer professionals (who didn't come from the field of photography) always supported camcorders instead of still cameras.
1. form factor is worse.
2. You need external audio mics, and external recorders for good audio, in a camcorder the audio is not problem, since they had always superior recording system, even with external microphones.
3. DSLR and mirrorless cameras don't have so high real visible resolution, See their worst results in ISO IMATEST charts.
4. You can make nice bukeh with 7-9 blade IRIS of good camcorders
5. Zoom range is much bigger
6. you don't need extra ND filter, because they are built in their lens system.
7. No overheating like simple cameras, limited time and limited filesizes...
8. Unlimited length recording of video.
9 battery replacement and batteryproblems.
10. slower focusing, can not really sustain the proper focus during the zooming process.
11. You must buy so many auxiliary lens nd audio eaquipments that it cost more than the basic camera.
12. They are more noisy, due to the smaller idividual pixel surface of their sensor. (it is physics , what you can not override.) They try to compensate it with much heavier denoising process. The simple HW denoising process of cameras always will result in less detailed less sharp video frames.
A Sony sensor will always be the best, due to it is the largest sensor developer globally, and it is tech leader regarding sensors. That's why I always choose SONY imaging products. Abd it has partnership with Zeiss, which is undeniably the best lens producer (See the lenses which are chose for space telescopes and space stuffs, it is simply N1 in optics) The result is always good when the N1 sensor producer works together with the N1 optics company)
Factually, in IMA test ISO test charts, this is still the only comsumer camera on the market in 2021, which is able to 100% complete the 4K test Chart (measured lossless way)
Only professional broadcast cameras can reach it (which has larger sensor in 4K or has 8K sensor and 8K video processing thus obviously better). As I said N1 ZEISS optics and Sony sensor. Panasonic JVC Canon consumer camcorder sensors are not close to that in ISO test charts, only their professional machines....
It tells something about the FDR-AX700....Last edited by Truthler; 7th Oct 2021 at 12:26.
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Try to make your still camera work better on IMA ISO TEST Charts, when your still camera's electonics is struggling to compensate the noise which generated due to the very small surfaced individual pixels of your sensor... It won't work...
Try to keep the focus properly durig the zooming process... In still cameras (even on the best ones) if you make a frame to frame playback , you can see that their focus can't keep up immediatelly during Zooming. And zoom range is small in still cameras
Spend 2X or 3X more money than the price of your still camera for the external audio recorder and expensive additional lens systems) Good luck!
Last edited by Truthler; 7th Oct 2021 at 12:05.
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Meanwhile I denosied the street video too.
The result fantastic, even smalllest noise and grain were removed from the metal objects (like cars). Finally the video is PERFECT like a mirror!!!!
The file is here: http://sendanywhe.re/5O0QHG4Z
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Hello user Sophisticles!
First, Let allow me to say thank you for your personal attacks
Were you patient or nurse/doctor in that hospital?If the first, I'm glad to hear that you are free again! If the second, I hope you could avoid the occupational injuries after the long service.
But, let's return to the topic. What about post #261 ?Last edited by Truthler; 7th Oct 2021 at 13:53.
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You just have dated thinking. It's "digital vs. film" all over again.
DSLR mirroless etc came into fashion among photographers, who often had no practice in video production.
In the old times there were always 10-25X more poeople who shot photos as professional or amateur, than the number of video makers.
When their first still cameras started to record video, they quickly discovered the magic of video making...
Due to the large numbers of photo shooters (amateurs or professionals) it bacame a big fashion.... However real videographer professionals (who didn't come from the field of photography) always supported camcorders instead of still cameras.
2. You need external audio mics, and external recorders for good audio, in a camcorder the audio is not problem, since they had always superior recording system, even with external microphones.
1. form factor is worse.
3. DSLR and mirrorless cameras don't have so high real visible resolution, See their worst results in ISO IMATEST charts.
4. You can make nice bukeh with 7-9 blade IRIS of good camcorders
6. you don't need extra ND filter, because they are built in their lens system.
7. No overheating like simple cameras, limited time and limited filesizes...
8. Unlimited length recording of video.
9 battery replacement and batteryproblems.
10. slower focusing, can not really sustain the proper focus during the zooming process.
11. You must buy so many auxiliary lens nd audio eaquipments that it cost more than the basic camera.
12. They are more noisy, due to the smaller idividual pixel surface of their sensor. (it is physics , what you can not override.) They try to compensate it with much heavier denoising process. The simple HW denoising process of cameras always will result in less detailed less sharp video frames.
5. Zoom range is much bigger
Even in terms of distance (is that what you meant?), also no. For example, we have a 200-500mm f/4 Nikkor lens. That lens costs more than entire cameras. It's fast, quiet, and incredibly sharp. It will makes most camcorder zoom lenses @ max length look pathetic.
A Sony sensor will always be the best,
Abd it has partnership with Zeiss, which is undeniably the best lens producer
Panasonic
And my goal would be to shoot well, good settings, and not need something like NeatVideo (or Avisynth).
BTW, this was a more sensible conversation with you. Do more of that, less of the other.Last edited by lordsmurf; 7th Oct 2021 at 14:41. Reason: typos
Want my help? Ask here! (not via PM!)
FAQs: Best Blank Discs • Best TBCs • Best VCRs for capture • Restore VHS
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You still can not come out with good results from the focusing during zooming, neither from the law of physics (smaller area of individual pixels creates more noise, what the camera tries to suppress somehow, which will result in a less sharp video frames and less details.
Let's remember to the oldest brand in optics, and its famous achievements during 19th century, 20th century and 21th century, :
And what happened in ww1.
British-German Trade Rubber And Optics during WW1
With the famous American ww1 historian Indy Neidel (2min)
https://www.youtube.com/watch?v=nhTXaIVVe54Last edited by Truthler; 7th Oct 2021 at 15:27.
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[Off-Topic Post, but necessary]
OK.
I am going to say this clearly, succinctly and professionally.
They say that imitation is the sincerest form of flattery. Well, I suspect flattery wasn't the intention here. This happened on this site before (and perhaps this is a repeat from a long-gone troll under another guise). Regardless,
@ Truthler, you are in violation of using my personal copyrighted work (my avatar), or a derivative of it, without permission.*
I do not give permission, nor do I intend to anytime for the foreseeable future. I want the avatar taken down or changed to something that is clearly not it nor a derivative.
If you do not, I will be reporting you to the mods for copyright infringement.
Scott
*Image GIF animated by me in early 2000s, based on abstracted image hand-drawn on computer by me in mid-90's, based on image hand-drawn on paper by me in the '70s when I was a teen, based off my romantic memory of a Groucho book. I have files & papers to prove all their provenance and authenticity.
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Did you post an improved version on the newspaper that I missed ?
Methodology and sharpening:
Sharpening is not denoising. They are different processes (obviously)
You should turn sharpnening to zero because you're comparing denoisers, not sharpeners.
Ideally, you shouldn't add x,y,z filters and pollute the analysis. eg. If you're testing covid vaccines efficacy, you don't add 3 other vaccines , 4 other antivirals - because you can't tell what is doing what. This is basic scientific method. You control variables, such that only 1 input factor (the denoiser) is doing the work. Cause and effect.
It's ok in the after analysis to look at a sharpened version - because you're examining sharpened noise/artifacts vs. actual details, and applying sharpening can highlight the differences and amplify the noise. But you should apply the same sharpening filters, same settings to each case. This way you can more easily distinguish which has more noise/artifacts, vs. more actual details. For example , if you're using internal NV to sharpen, you can disable everything in NV except sharpen and apply that. (Remember , I use Adobe/NV too - I "play for both teams") . If you're using other filters you have to specify which, and what settings, otherwise people cannot replicate and it complicates the analysis. Someone can take the output of A,B,C,D denoisers (without sharpening) and apply the same sharpening algorithm to them (e.g. NV sharpen at 250% for high,mid,low - but you have to state or show the other settings like range , which channels, twirl down the menus) , so they are more comparable. Otherwise you have to try adjusting some other sharpening filters and strengths and algorithms to approx. match images, to try to compare on similar terms. If you're performing other pre or post manipuations, you have try to apply the same to both; e.g. stabilizing will result in different results unless you use the same prestablized input into the denoiser. For example, I uploaded a prestablized input for the newspaper. If Neat was the "best" denoiser, it should get the "best" results from that same input... Otherwise, how can you distinguish if some other filter or manipulation isn't contributing to some or most of the work? Splitting up individual processes and variables helps you learn about the strengths/weaknesses of each filter. But it's not a perfect world, we don't have endless time to test and to upload dozens of pre/post versions. Some compromise is good for me - enough to see that it's possible to produce similar results - eg. I might use slightly different sampling region in Neat - but it should produce similar results.
I'll gradually post some comments and screenshots over the next few days...but what you posted has problems, residual noise, oversharpened noise and details are not as clear as they could be, frame border and temporal ghosting issues
It's *impossible* to beat frame stacking methods on scenes that can be stabilized well (low camera motion, no rolling shutter atifacts, 1 focal plane, no moving FG objects, same lighting conditions, noise type is roughly "random") by using traditional methods (it might be possible with machine learning someday in the future, but currently not). eg. the newspaper video, or in this video, the building shot near the middle - you can't beat frame stacking approach. But if the shot has large motion, multiple depth planes, parallax, moving people/objects, etc.. that method is less effective, or you have to use workarounds - such as combination stacks with layers and compositing techniques, motion masks, roto, more complicated border fill methods. But it's a lot of work and usually not worth it for general use, unless you want the absolute best.
And there is no reason why you cannot combine methods. It's not one vs. the other. They are just tools, and each has pros/cons, and you should be using the tools in combination . eg. You might use Neat for some sections or parts of frames, and fix some of the NV problems in part of sections with other methods.
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