My source DVD (NTSC) is 29.970 fps. I am using Handbrake video setting [Framerate: Same as source]. But my output ends up being 23.976 fps.
Should I be concerned, is this normal practice?
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If it's a film source (e.g. a hollywood movie), it's probably normal
Read up on telecine, inverse telecine and , 3-2 pulldown if you want more information -
By "film source" I mean shot on celluloid or digital equivalent
Most movies are 24p (or 23.976p) . They are "stored" in DVD format as 29.97fps or 59.94i in a process called telecine or 2-3 pulldown. You have to inverse telecine (IVTC) or remove pulldown to get the original 24p back. Read up on those keywords if you want more info -
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Just make sure when using HandBrake that you always select CONSTANT FRAMERATE and I say this because it always seems to default to VARIABLE FRAMERATE which (in my opinion) should never be used.
"The eyes are the first thing that you have to destroy ... because they have seen too many bad things" - Lucio Fulci
EXPLORE THE FILMS OF LUCIO FULCI - THE MAESTRO OF GORE
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How do you know the DVD is 29.970 and not 23.976? I'm in Pal-Land, but aren't 23.976 NTSC DVDs quite common?
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HandBrake usually gets it right but if it does make it 23.976fps when it should not be then you can tell because motion will not be smooth. So once you have it all set up have it do a sample encode before doing the whole thing. It can do that up to 120 seconds. I do that all the time to make sure it looks the way I want.
"The eyes are the first thing that you have to destroy ... because they have seen too many bad things" - Lucio Fulci
EXPLORE THE FILMS OF LUCIO FULCI - THE MAESTRO OF GORE
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Is the actual stuff on the disc 23.976 fps though? I assume you mean the player applies the pulldown on playback rather than it being encoded that way?
Not that I'm saying 29.970 DVDs don't exist of course, I'm just wondering how kingaddi concluded the disc is definitely 29.970. Or at least the bits of it he's trying to encode. -
Yes, the video stored on the DVD is 23.976fps (much of the time).
I assume you mean the player applies the pulldown on playback rather than it being encoded that way?
Not that I'm saying 29.970 DVDs don't exist of course -
I'm in PAL-Land and I've still seen my share. In fact I'm encoding one as we speak. The "Apollo 13" 2 disc anniversary edition. It confused me for a bit because I assumed it was PAL as the DVD is on loan from a friend (I'm backing it up for her, of course), and I couldn't understand why MeGUI wanted to IVTC it.... until the penny finally dropped.
I still don't quite understand this "Force Film" thing though. For example MeGUI is set to auto force film at 95% by default. I had trouble with one particular DVD a while back where there were obvious sections requiring de-interlacing and which prompted me to disable that option, but I guess you could tell me (sorry to the OP for sidetracking the thread a tad)..... actually I've got a few questions if you feel like imparting some knowledge......
Why "force film" at all? I assume doing so at around 95% is fairly normal, but to my way of thinking it's like saying "well as long as 95% of it is done correctly, don't worry about the rest". Am I missing something?
I think I discovered while trying to encode one particular "problem" 29.970 fps DVD, that when MeGUI applies "force film" it does so by altering the d2v file. I eventually only managed to work it out by running the same DVD through AutoGK (which just never seems to get it wrong) and using the d2v file it created to replace the one MeGUI created. Once I did, I could use MeGUI to analyse the video and it'd then realise it was a hybrid after-all, and the IVTC/de-interlacing I'd been manually adding to the script finally made a difference.
Is applying "force film" by altering the d2v file a normal thing for an encoder GUI to do? I asked in the MeGUI thread over at doom9 but as Zathor lives in PAL land he doesn't really understand the NTSC world any more than I do, so he couldn't help me.
I've still (after all this time) not really got my head around the possible combinations of film/telecine/NTSC and how they should be handled correctly. When video is a combination of film and telecine it seems obvious you'd convert it all to film, but film/NTSC combinations.... how are they converted to a single frame rate?
Cheers. -
Some people don't force film unless it's >99%. The benefit of force film is it's faster (IVTC through TIVTC or IVTC through other means is slower) . If it's lower it means there are sections that aren't exactly 3:2:3:2:3:2 , ie. there are cadence breaks
When video is a combination of film and telecine it seems obvious you'd convert it all to film, but film/NTSC combinations.... how are they converted to a single frame rate? -
Ahhhhh..... that's what I wanted to know..... it's either two frame rates or jerky bits..... no magic fix.
I guess as an AVISynth user, or as a user of encoder GUIs which use AVISynth to do the work, I'd be going with the "jerky bits" method. Not that it's really an issue for me. PAL is either progressive or interlaced and I don't really encode NTSC DVDs all that regularly, but I have run the same NTSC DVD through MeGUI and AutoGK before and the resulting encodes have had different frame rates, so I thought it might be an idea to understand this NTSC thing a little better. Generally AutoGK seems to get it right so if in doubt I go with what it decides, but I can't keep asking AutoGK what it'd do forever.....
Thanks for the info. -
Originally Posted by hello_hello
Ahhhhh..... that's what I wanted to know..... it's either two frame rates or jerky bits..... no magic fix.
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