Seems like a "fair" price - $99. Import plugin avaliable next month. Yeah!
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Keeper of the "Unofficial" iMovie FAQ also for the lastest iMovie news click here
Your source for iMovie answers and what not! ;-) -
$179 for the pro /HD version .. seems a bit of a rip off
"Each problem that I solved became a rule which served afterwards to solve other problems." - Rene Descartes (1596-1650) -
though except for cleaner 6 - not a lot of choice
"Each problem that I solved became a rule which served afterwards to solve other problems." - Rene Descartes (1596-1650) -
Originally Posted by BJ_M
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If you must make "Windows-friendly" non-QuickTime encodes, just use the free Real Media 10 exporter (http://www.realnetworks.com/products/realexport/). An export module for $179? Insane.
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Originally Posted by AntnyMDKeeper of the "Unofficial" iMovie FAQ also for the lastest iMovie news click here
Your source for iMovie answers and what not! ;-) -
You can get the use of a bunch of codecs with QuickTime Pro for $30. How is $179 cheaper than $30?
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Real Media 10 i would not call "friendly' or good ...
"Each problem that I solved became a rule which served afterwards to solve other problems." - Rene Descartes (1596-1650) -
Originally Posted by AntnyMD
$179 is cheaper than:
Cleaner $600
Compressor $200+ depending (it comes with DVD SP and Final Cut HD)
Sorenson $400+
Heck even DivX that I consider "non-standard" is $50!Keeper of the "Unofficial" iMovie FAQ also for the lastest iMovie news click here
Your source for iMovie answers and what not! ;-) -
I use MPEG1 encoded with ffmpegX as my low bitrate most-cross-platform-compatible codec of choice. Not ideal but works well within HTML and can look pretty good when it's done right.
Go off and rule the universe from beyond the grave. Or check into a psycho ward, whichever comes first, eh? -
Originally Posted by mhar4
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It all depends on the use. For my purposes, the kind of quality I get and the encode times are perfectly adequate. I am not doing broadcast quality material, but making short clips available to students on a CD-R, hence the need for cross-platform compatibility. But it is a huge bonus for them to be getting anything like that at all, and its more common in my line of work (i.e. a university) to be using multiple-generation VHS copies (which look really bad) than anything digital. For my home use, if I archive tv or video material in a low bitrate format I always use MPEG-4, which can deliver excellent results. If quality is at a premium, I have a hardware MPEG2 encoder, and I author DVDs. Again, the quality can be really fantastic.
Go off and rule the universe from beyond the grave. Or check into a psycho ward, whichever comes first, eh?
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