I'm doing research for a blog article on the so-called "dark web". A question arose:
Why do so many "nasty"/"dirty"/"illegal" rippers for new (theatrical, first-run) features go the CAM-RIP route? These videos look/sound AWFUL.
Why can't "nasty"/"dirty"/"illegal" -- -- rippers get the "real thing" from theater's Digital Cinema PC/HDD (via USB, etc.) Some... ahem ... "nasty"/"dirty"/"illegal" theatre projectionists/file-shares should surely be aware of this? Or is the/an obstacle a technical one: e.g., the "live steam" or video format for movie theaters encoded in some "uncryptable" way?
Refs:
http://en.wikipedia.org/wiki/Digital_cinema
http://magazine.creativecow.net/arti...digital-cinema
Oh, and uh, one more thing:
https://www.youtube.com/watch?v=IDDEpnjgTyw
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These are obstacles, tho' not impossible ones.
Also, I've seen quite a few "DVDScr" files make it to file-sharing sites lately. Studios tried to dump DVDScr a while back, but actors guild et. al. won the battle
http://en.wikipedia.org/wiki/Screener
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