Why do so many "nasty"/"dirty"/"illegal" rippers for new (theatrical, first-run) features go the CAM-RIP route? These videos look/sound AWFUL.
Why can't "nasty"/"dirty"/"illegal" ---- rippers get the "real thing" from theater's Digital Cinema PC/HDD (via USB, etc.) Some... ahem ... "nasty"/"dirty"/"illegal" theatre projectionists/file-shares should surely be aware of this? Or is the/an obstacle a technical one: e.g., the "live steam" or video format for movie theaters encoded in some "uncryptable" way?
Refs:
http://en.wikipedia.org/wiki/Digital_cinema
http://magazine.creativecow.net/arti...digital-cinema
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