Hello, first thank you all for reading this
I need to use x265 to encode sports videos (soccer, NASCAR), so they are fast moving videos.
I wanted to know if anyone already has done tests with sports videos and know a good command line config to use x265 to encode these kind of videos... I'm kind of a noob on that and to be honest I don't really know where to start. I have to use x265 and not Handbrake for example because being command line is good in my case.
I will encode these videos for my work, they demanded it for me to encode several samples of the same video, one with 1,5Mbps, 7,5Mbps, 12MBPs, and 15Mbps, all CBR (It has to be CBR becasue my boss want to charge the guy/company based on amount of time stored and you know, can't question the boss).
Can anyone help me with this one? Anyone already figured out a good configuration for this specific kind of video?
Thank you all already for helping me!!!!
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Results 1 to 7 of 7
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General
Format : MXF
Commercial name : XDCAM HD422
Format version : 1.2
Format profile : OP-1a
Format settings : Closed / Complete
File size : 436 MiB
Duration : 1 min 0 s
Overall bit rate : 60.3 Mb/s
Encoded date : 2018-03-15 19:13:25.000
Writing application : AVID TRMG 3.01
Video
ID : 2
Format : MPEG Video
Commercial name : XDCAM HD422
Format version : Version 2
Format profile : 4:2:2@High
Format settings : BVOP
Format settings, BVOP : Yes
Format settings, Matrix : Default
Format settings, GOP : M=3, N=15
Format settings, picture struc : Frame
Format settings, wrapping mode : Frame
Codec ID : 0D01030102046001-0401020201040300
Duration : 1 min 0 s
Bit rate mode : Constant
Bit rate : 50.0 Mb/s
Width : 1 920 pixels
Height : 1 080 pixels
Display aspect ratio : 16:9
Frame rate : 29.970 (30000/1001) FPS
Standard : NTSC
Color space : YUV
Chroma subsampling : 4:2:2
Bit depth : 8 bits
Scan type : Interlaced
Scan order : Top Field First
Compression mode : Lossy
Bits/(Pixel*Frame) : 0.805
Time code of first frame : 01:00:00:00
Time code source : Group of pictures header
GOP, Open/Closed : Open
GOP, Open/Closed of first fram : Closed
Stream size : 361 MiB (83%)
Color primaries : BT.709
Transfer characteristics : BT.709
Matrix coefficients : BT.709
Audio #1
ID : 3
Format : PCM
Format settings : Little
Format settings, wrapping mode : Frame (AES)
Codec ID : 0D01030102060300
Duration : 1 min 0 s
Bit rate mode : Constant
Bit rate : 1 152 kb/s
Channel(s) : 1 channel
Sampling rate : 48.0 kHz
Frame rate : 29.970 FPS (1601.6 SPF)
Bit depth : 24 bits
Stream size : 8.33 MiB (2%)
Locked : Yes
Audio #2
ID : 4
Format : PCM
Format settings : Little
Format settings, wrapping mode : Frame (AES)
Codec ID : 0D01030102060300
Duration : 1 min 0 s
Bit rate mode : Constant
Bit rate : 1 152 kb/s
Channel(s) : 1 channel
Sampling rate : 48.0 kHz
Frame rate : 29.970 FPS (1601.6 SPF)
Bit depth : 24 bits
Stream size : 8.33 MiB (2%)
Locked : Yes
Audio #3
ID : 5
Format : PCM
Format settings : Little
Format settings, wrapping mode : Frame (AES)
Codec ID : 0D01030102060300
Duration : 1 min 0 s
Bit rate mode : Constant
Bit rate : 1 152 kb/s
Channel(s) : 1 channel
Sampling rate : 48.0 kHz
Frame rate : 29.970 FPS (1601.6 SPF)
Bit depth : 24 bits
Stream size : 8.33 MiB (2%)
Locked : Yes
Audio #4
ID : 6
Format : PCM
Format settings : Little
Format settings, wrapping mode : Frame (AES)
Codec ID : 0D01030102060300
Duration : 1 min 0 s
Bit rate mode : Constant
Bit rate : 1 152 kb/s
Channel(s) : 1 channel
Sampling rate : 48.0 kHz
Frame rate : 29.970 FPS (1601.6 SPF)
Bit depth : 24 bits
Stream size : 8.33 MiB (2%)
Locked : Yes
Audio #5
ID : 7
Format : PCM
Format settings : Little
Format settings, wrapping mode : Frame (AES)
Codec ID : 0D01030102060300
Duration : 1 min 0 s
Bit rate mode : Constant
Bit rate : 1 152 kb/s
Channel(s) : 1 channel
Sampling rate : 48.0 kHz
Frame rate : 29.970 FPS (1601.6 SPF)
Bit depth : 24 bits
Stream size : 8.33 MiB (2%)
Locked : Yes
Audio #6
ID : 8
Format : PCM
Format settings : Little
Format settings, wrapping mode : Frame (AES)
Codec ID : 0D01030102060300
Duration : 1 min 0 s
Bit rate mode : Constant
Bit rate : 1 152 kb/s
Channel(s) : 1 channel
Sampling rate : 48.0 kHz
Frame rate : 29.970 FPS (1601.6 SPF)
Bit depth : 24 bits
Stream size : 8.33 MiB (2%)
Locked : Yes
Audio #7
ID : 9
Format : PCM
Format settings : Little
Format settings, wrapping mode : Frame (AES)
Codec ID : 0D01030102060300
Duration : 1 min 0 s
Bit rate mode : Constant
Bit rate : 1 152 kb/s
Channel(s) : 1 channel
Sampling rate : 48.0 kHz
Frame rate : 29.970 FPS (1601.6 SPF)
Bit depth : 24 bits
Stream size : 8.33 MiB (2%)
Locked : Yes
Audio #8
ID : 10
Format : PCM
Format settings : Little
Format settings, wrapping mode : Frame (AES)
Codec ID : 0D01030102060300
Duration : 1 min 0 s
Bit rate mode : Constant
Bit rate : 1 152 kb/s
Channel(s) : 1 channel
Sampling rate : 48.0 kHz
Frame rate : 29.970 FPS (1601.6 SPF)
Bit depth : 24 bits
Stream size : 8.33 MiB (2%)
Locked : Yes
Other #1
ID : 1-Material
Type : Time code
Format : MXF TC
Time code of first frame : 01:00:00:00
Time code settings : Material Package
Time code, striped : Yes
Other #2
ID : 1-Source
Type : Time code
Format : MXF TC
Time code of first frame : 01:00:00:00
Time code settings : Source Package
Time code, striped : Yes
Other #3
Type : Time code
Format : SMPTE TC
Muxing mode : SDTI
Time code of first frame : 01:00:00:00 -
Oh, also forgot to mention that it needs to be 10bit color, even if the source is 8bit.
And I have to deinterlace.
Thanks! -
Pretty much just use the slowest x265 preset you can stand. Slower settings provide better encoding efficiency but obviously take longer. So use the slowest that still fits within your deadlines. I would not suggest placebo, and probably not veryslow.
--preset slow
https://x265.readthedocs.io/en/default/presets.html#presets
For content that you know will mostly be high action content, then you might want to test with smaller GOPs. Larger GOPs are more efficient but can introduce artifacts and pulses of quality where one GOP ends and another starts. Especially with CBR content. As the I-frame (start of a GOP) is the best quality frame and is used as a reference for the rest of the GOP. But if the video changes rapidly from the start of the GOP to the end of the GOP, then the quality is going to drop by the end of the GOP and then when the next I-frame starts there's a pulse of a higher quality frame. Having smaller GOPs can help to tame this. Most over the air content in the USA is also CBR (or limited VBR) and so they use small GOPs, ranging from 20-60 frames. They also do this to help with quick changing between channels.
--keyint 60
https://x265.readthedocs.io/en/default/cli.html?highlight=scene#slice-decision-options
Might also consider using a larger look ahead, to help x265 make better decisions on where to end and start GOPs. This puts uncompressed frames into your RAM, so if you are RAM limited then you are going to need to lower this value.
--rc-lookahead 60
If you are setting --keyint, then the value for --rc-lookahead should be equal or less than --keyint. Otherwise you are just wasting RAM. But it won't hurt the encoding.
https://x265.readthedocs.io/en/default/cli.html?highlight=scene#slice-decision-options
Only you can test these settings with your content and just find what works best in your case.Last edited by KarMa; 25th Mar 2018 at 22:11.
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for 1.5 Mbit video might be good idea to change resolution to 1280x720,
otherwise deiterlace all to 59.940p,
to simulate CBR encoding (I did not get that explanation why anyway) you might consider using 1pass crf, using very low value and setting buffers appropriately to cut the peaks off to your bitrate - a bit lower than that bitrate because encoder might shoot a bit higher, but I do not know x265, how exactly it would end up, short tests would tell you more, for example for 1.5Mbit stream try, this works for x264, so it might with x265:
x265 --crf 12 --vbv-bufsize 1400 --vbv-maxrate 1400
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