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  1. Member
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    I have quite a few SACDs by MDG (Dabringhaus & Grimm) and divox that are recorded in 2+2+2 format. See these two audaud articles for details:
    https://www.audaud.com/first-special-feature-on-222-multichannel-discs/
    https://www.audaud.com/aurophonie-and-222/
    2+2+2 are distributed on SACD and the channels are mapped as follows:

    L => L
    R => R
    C => L front height
    LFE => R front height
    L surround => L surround
    R surround => R surround

    Obviously it is not ideal to have the L and R front height channels coming out of the center and subwoofer speakers (although the mix is done in such a way that the 'straight' reproduction is not catastrophic). So far I have played these recordings by converting the mch dsf files to pcm and keeping only the L, R, L surround and R surround channels. I simply left out the center and subwoofer information using ffmpeg's pan filter.

    After my first steps with channel mapping using ffmpeg I would like to create a pcm file in 11.1.4 atmos mapping that populates the six channels with the correct placements using the pan functions. This will allow my Onkyo PR SC5507 (which can to front heights) to correctly map the height channels into the 4.0 speaker setup that I have. Also I would like to take the 11.1.4 file to a friend's atmos setup to get an idea what 2+2+2 is actually meant to sound like.

    The missing link in this project is the 11.1.4 channel designations that ffmpeg uses. I have found documentation on the c0 c1 c2 c3 c4 c5 nomenclature for 5.1 setups, but nothing on 11.1.4.
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  2. I don't think ffmpeg has an 11.x mapping.
    Code:
    NAME           DESCRIPTION
    FL             front left
    FR             front right
    FC             front center
    LFE            low frequency
    BL             back left
    BR             back right
    FLC            front left-of-center
    FRC            front right-of-center
    BC             back center
    SL             side left
    SR             side right
    TC             top center
    TFL            top front left
    TFC            top front center
    TFR            top front right
    TBL            top back left
    TBC            top back center
    TBR            top back right
    DL             downmix left
    DR             downmix right
    WL             wide left
    WR             wide right
    SDL            surround direct left
    SDR            surround direct right
    LFE2           low frequency 2
    TSL            top side left
    TSR            top side right
    BFC            bottom front center
    BFL            bottom front left
    BFR            bottom front right
    
    Standard channel layouts:
    NAME           DECOMPOSITION
    mono           FC
    stereo         FL+FR
    2.1            FL+FR+LFE
    3.0            FL+FR+FC
    3.0(back)      FL+FR+BC
    4.0            FL+FR+FC+BC
    quad           FL+FR+BL+BR
    quad(side)     FL+FR+SL+SR
    3.1            FL+FR+FC+LFE
    5.0            FL+FR+FC+BL+BR
    5.0(side)      FL+FR+FC+SL+SR
    4.1            FL+FR+FC+LFE+BC
    5.1            FL+FR+FC+LFE+BL+BR
    5.1(side)      FL+FR+FC+LFE+SL+SR
    6.0            FL+FR+FC+BC+SL+SR
    6.0(front)     FL+FR+FLC+FRC+SL+SR
    3.1.2          FL+FR+FC+LFE+TFL+TFR
    hexagonal      FL+FR+FC+BL+BR+BC
    6.1            FL+FR+FC+LFE+BC+SL+SR
    6.1(back)      FL+FR+FC+LFE+BL+BR+BC
    6.1(front)     FL+FR+LFE+FLC+FRC+SL+SR
    7.0            FL+FR+FC+BL+BR+SL+SR
    7.0(front)     FL+FR+FC+FLC+FRC+SL+SR
    7.1            FL+FR+FC+LFE+BL+BR+SL+SR
    7.1(wide)      FL+FR+FC+LFE+BL+BR+FLC+FRC
    7.1(wide-side) FL+FR+FC+LFE+FLC+FRC+SL+SR
    5.1.2          FL+FR+FC+LFE+BL+BR+TFL+TFR
    octagonal      FL+FR+FC+BL+BR+BC+SL+SR
    cube           FL+FR+BL+BR+TFL+TFR+TBL+TBR
    5.1.4          FL+FR+FC+LFE+BL+BR+TFL+TFR+TBL+TBR
    7.1.2          FL+FR+FC+LFE+BL+BR+SL+SR+TFL+TFR
    7.1.4          FL+FR+FC+LFE+BL+BR+SL+SR+TFL+TFR+TBL+TBR
    7.2.3          FL+FR+FC+LFE+BL+BR+SL+SR+TFL+TFR+TBC+LFE2
    9.1.4          FL+FR+FC+LFE+BL+BR+FLC+FRC+SL+SR+TFL+TFR+TBL+TBR
    hexadecagonal  FL+FR+FC+BL+BR+BC+SL+SR+TFL+TFC+TFR+TBL+TBC+TBR+WL+WR
    downmix        DL+DR
    22.2           FL+FR+FC+LFE+BL+BR+FLC+FRC+BC+SL+SR+TC+TFL+TFC+TFR+TBL+TBC+TBR+LFE2+TSL+TSR+BFC+BFL+BFR
    source: 'ffmpeg -layouts'
    I suspect it's using 'hexadecagonal' for 11.1.4

    Cu Selur
    users currently on my ignore list: deadrats, Stears555
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  3. Member
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    Thanks, Selur
    It looks like MDG's 2+2+2 is simply 5.1.2 (in ffmpeg terms) with FC and LFE empty.
    5.1.2 FL+FR+FC+LFE+BL+BR+TFL+TFR

    Would the channel names map to channel numbers as follows?
    FL FR FC LFE BL BR TFL TFR
    c0 c1 c2 c3 c4 c5 c6 c7
    ?
    Last edited by rudolffischer; 14th Mar 2024 at 08:08.
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  4. Yes, looks correct to me.
    users currently on my ignore list: deadrats, Stears555
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  5. What are you using to do the Atmos encode?
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  6. Member
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    I am not encoding to Dolby Atmos. I am working with multichannel FLAC files.
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