Yes you can actually crop however you want/need (mod2 for 4:2:2 captures) and pad back to 704x576 with black borders and encode x264 with --sar 12/11 and let the player do the rest. This is for 4:3 PAL material.
Putting it simple: The 704x576 represents the 4:3 content. It doesn't matter what the 704x576 contains: picture, borders, crud....
Make it overall 704x576 by cropping and padding and then resize to any 4:3 dimension, or just force the player to play it as 4:3.
I think you have all the options now.
+ Reply to Thread
Results 31 to 45 of 45
-
Last edited by Sharc; 16th Feb 2024 at 08:34.
-
Very nice package of information
and more complication
When I capturing I have info:
[decklink @ 0x5d7291f657c0] Found Decklink mode 720 x 576 with rate 25.00(i)
[aist#0:0/pcm_s16le @ 0x5d7291f801c0] Guessed Channel Layout: stereo
Input #0, decklink, from 'Intensity Pro':
Duration: N/A, start: 0.000000, bitrate: 167424 kb/s
Stream #0:0: Audio: pcm_s16le, 48000 Hz, 2 channels, s16, 1536 kb/s
Stream #0:1: Video: rawvideo (UYVY / 0x59565955), uyvy422(top first), 720x576, 165888 kb/s, 25 fps, 25 tbr, 1000k tbn
Stream mapping:
Stream #0:1 -> #0:0 (rawvideo (native) -> ffv1 (native))
Stream #0:0 -> #0:1 (pcm_s16le (native) -> pcm_s16le (native))
Press [q] to stop, [?] for help
Output #0, matroska, to 'test_capture-2024-02-16-05-43-716116600.mkv':
Metadata:
encoder : Lavf60.16.100
Stream #0:0: Video: ffv1 (FFV1 / 0x31564646), yuv422p(tv, top coded first (swapped)), 720x576 [SAR 16:15 DAR 4:3], q=2-31, 200 kb/s, 25 fps, 1k tbn
Metadata:
encoder : Lavc60.31.102 ffv1
Stream #0:1: Audio: pcm_s16le ([1][0][0][0] / 0x0001), 48000 Hz, stereo, s16, 1536 kb/s
Metadata:
encoder : Lavc60.31.102 pcm_s16le
frame= 123 fps= 26 q=-0.0 size= 23552kB time=00:00:04.88 bitrate=39536.5kbits/s speed=1.04x
[SAR 16:15 DAR 4:3] I should set 12:11? -
Nothing wrong. That's the default (generic) assumption for a 720x576 4:3 frame. If your capture has small black pillars left and right of about 8 pixels each side (your milage may vary) the true SAR of the useful active (~704x576) PAL picture is 12/11. For post processing like resizing you should be using 12/11 and crop the side pillars off. Your capture device has no eyes and cannot "see" the black side pillars and hence assumes the generic SAR of 16/15 for the 720x576 frame. But as I said the difference is ~2% only and viewers usually won't even notice the difference.
Search the forum. It's full of such discussions and explanations.
Putting it simple: Crop as you like or as needed, encode with the correct SAR (12/11 for PAL footage) and put it in an *.mp4 container. Done. Any reasonable player will play the video undistorted.Last edited by Sharc; 16th Feb 2024 at 13:46.
-
I know I should do some tests and compare, but...why 1080p is recommended?
This look fine?
Which DeGrain DeNoise filter is recommended for movies and fast work? and could be use as default, I don't want to compile conversion and use multiple ones at once.
Thx for all information. -
-
I once compared both of these values and 12:11 seemed a bit too wide to me. I'm waiting, maybe I'll find a cassette with something perfectly round and I'll compare it
Anyway, the difference is ~2% only. You can easily live with it.
Or as per post #6: crop to 704x576 and mask the top and bottom crud rather than just cropping vertically. -
-
Resize does not occur, you simply save in e.g. 690x560. You just have to keep an eye on the PAR. You can also reduce the height to 540px, it will scale beautifully and the image will be wider
I once had such a CINERAMA mode in Thomson TV (it made 16:9 from 4:3). It was even watchable
-
Resize does not occur, you simply save in e.g. 690x560. You just have to keep an eye on the PAR.
it will scale beautifully and the image will be wider
I once had such a CINERAMA mode in Thomson TV (it made 16:9 from 4:3). It was even watchable -
-
There is no intermediate resizing. The TV (or other player) will have to scale, e.g. from 560px to 1080px instead of from 576px to 1080px. The effect is the same.
-
It's cool that everyone has different opinions and methods
hehe
On another topic, I am disappointed, but I noticed that in Pioneer dvr 540 and 560 "TBC" only works in passthrough mode, not for recordings ...
-
-
I don't think so, the Pioneers work internally with a picture width of 720 and the analog S-Video output with a width of 704 + black borders left and right. If so, the function of the TBC should be checked with a straight line in the picture and you should not be fooled by the black straight edges.
I can't find any test pictures of the Pio 560 to show this. But I can made a test capture with the Pio 560 if someone want to see it.Last edited by Bogilein; 19th Feb 2024 at 12:39.
-
If the line is looking so nice in passthrough mode, it must be doing something better... all image is also better cleaned but it's a bit unfair to compare recording vs lossless codec. Will be nice to see test pictures from you test.
Similar Threads
-
Recommended settings for youtube upload, vhs pal source.
By prodarek in forum Video ConversionReplies: 8Last Post: 29th Aug 2023, 12:37 -
Best Conversion Settings for a Pal VHS Tape With an Aspect Ratio of 14:9
By TazDave in forum Capturing and VCRReplies: 35Last Post: 3rd Nov 2021, 06:57 -
Best settings using Virtual Dub to correct dark VHS capture
By DMS in forum RestorationReplies: 69Last Post: 6th Oct 2021, 05:30 -
QTGMC best quality settings for PAL SD Video Capture
By Johnnysh in forum Video ConversionReplies: 14Last Post: 4th Sep 2021, 19:16 -
JVC S-VHS settings for capture (again)
By lollo in forum Capturing and VCRReplies: 25Last Post: 13th May 2021, 16:59