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  1. Member
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    I'm working my way through downloading 36 tapes from between 15 & 19 years ago.

    These are all DV tapes of family holidays. I am computer literate (build my own PC's) but I have never done anything serious with video

    I'm working in Adobe Spark initially with approx 6 mins of video. Spark tells me it cannot read my AVI files from my Panasonic DV camera. I used the Miro utility recommended by Adobe to re-code as mp4.

    But I'm worried about quality. The original AVI files for this segment total 1.47Gb. After conversion through Miro, I now have just 151 Mb of files. I'm assuming that mp4 is a more modern format, but is this actually a reasonable conversion?

    In total I'm expecting to have 500Gb of AVI files. While I can easily cope with storage of this amount (even with back-ups), it would obviously be easier, faster cheaper etc if I only had to archive mp4 versions at approx 10% of that size.

    My questions therefore is - Is it reasonable to use the MP4 versions with that compression in my Adobe Spark show, and would it be worthwhile converting all files to MP4 for long term storage?

    Thanks
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  2. Member Bernix's Avatar
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    Hi,
    MP4 format, is a container. What format is your video codec or audio codec in MP4 container (I prefer mkv, but it couldn't be supported with every device), that is what is true format. And yes, it looks reasonable for x264 video and aac audio. Or you can post Mediainfo of your source avi and result mp4 here.
    Don't forget proper deinterlace your video, or encode it as interlaced video. Most people here suggest second option.
    The quality is depending only at your satisfaction with result. Everybody has different taste and sharp eye.
    I have my 800MB source converted to cca 250 x264 with audio untouched so final is progressive 50 fps crf 18 and PCM at 1,5 Mbit/s So video bitrate is about 8000-10000 kbps
    Best way is to keep original Avi as well. And tapes too.

    Here is my media info of that 250 MB file
    Format : Matroska
    Format version : Version 4 / Version 2
    File size : 243 MiB
    Duration : 3 min 33 s
    Overall bit rate : 9 536 kb/s
    Writing application : Lavf57.25.100
    Writing library : Lavf57.25.100

    Video
    ID : 1
    Format : AVC
    Format/Info : Advanced Video Codec
    Format profile : High@L4
    Format settings : CABAC / 16 Ref Frames
    Format settings, CABAC : Yes
    Format settings, RefFrames : 16 frames
    Codec ID : V_MPEG4/ISO/AVC
    Duration : 3 min 33 s
    Width : 720 pixels
    Height : 576 pixels
    Display aspect ratio : 5:4
    Frame rate mode : Constant
    Frame rate : 50.000 FPS
    Color space : YUV
    Chroma subsampling : 4:2:0
    Bit depth : 8 bits
    Scan type : Progressive
    Writing library : x264 core 146 r2538 121396c
    Encoding settings : cabac=1 / ref=16 / deblock=1:0:0 / analyse=0x3:0x133 / me=esa / subme=9 / psy=1 / psy_rd=1.00:0.00 / mixed_ref=1 / me_range=32 / chroma_me=1 / trellis=1 / 8x8dct=1 / cqm=0 / deadzone=21,11 / fast_pskip=1 / chroma_qp_offset=-2 / threads=6 / lookahead_threads=1 / sliced_threads=0 / nr=0 / decimate=1 / interlaced=0 / bluray_compat=0 / constrained_intra=0 / bframes=3 / b_pyramid=2 / b_adapt=1 / b_bias=0 / direct=1 / weightb=1 / open_gop=0 / weightp=2 / keyint=250 / keyint_min=25 / scenecut=40 / intra_refresh=0 / rc_lookahead=40 / rc=crf / mbtree=1 / crf=18.0 / qcomp=0.60 / qpmin=10 / qpmax=51 / qpstep=4 / ip_ratio=1.40 / aq=1:1.00
    Default : Yes
    Forced : No

    Audio
    ID : 2
    Format : PCM
    Codec ID : A_PCM/INT/LIT
    Duration : 3 min 33 s
    Bit rate mode : Constant
    Channel(s) : 2 channels
    Sampling rate : 48.0 kHz
    Bit depth : 16 bits
    Language : unknown
    Default : Yes
    Forced : No



    Bernix
    Last edited by Bernix; 8th Nov 2017 at 05:05. Reason: Edit added media info
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  3. Member Cornucopia's Avatar
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    As mentioned, AVI and MP4 are just the containers. DV compression is around 5.5:1 compared to uncompressed YUV4:2:0. The much newer & more efficient AVC/H264 (which is likely what's being encoded in the mp4) is anywhere from ~20 or 30:1 up to ~300:1 or more depending on quality, so a figure of say 50:1 (aka 10x the savings of the dv) versus uncompressed is in the ballpark.

    But WHY are you using Spark? If you are editing, use an editor. Adobe already has a great one called Premiere. Edit your footage there and save the output(s) as larger intermediate formats (usually lossless at 2.2:1) as recommended by Adobe (whom I've never seen touting miro) in a format/container compatible with Spark, not h264/mp4 which normally should be reserved for your end product.

    Then open, rework and compile in Spark, saving an MP4 as your product. This will avoid unnecessary losses in conversion that are occurring in your existing workflow.

    The DV files are your originals. It is good practice to always keep your originals (the reason should be obvious), even if you create other newer, more efficient & compatible versions (such as h264/mp4) for everyday use.

    Scott
    Last edited by Cornucopia; 9th Nov 2017 at 06:21.
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  4. ......oops
    wrong reading, yes overall 10:1 compression (including PCM to AAC 192kbps) gives QTGMC deinterlacer while using CRF 18, that is rough average for quite clean DVavi and very good x264 encoder. So you perhaps would not set bitrate that tight, give it i bit more, especially if not deinterlacing. You should get compression 8:1 or 7:1 compressions or smaller to be sure, roughly speaking. 10:1 seams too much.
    If you deinterlace, then it is not good, because you are not using good deinterlacer (like QTGMC), you mess up content anyway and it does not matter what bitrate you set.

    Interlace content should give a little bit more bitrate (even if it is interlace, that is nature of using QTGMC)

    Check x264 encoder and constant rate factor settings, --crf, then you can set quality, not bitrate.

    And yes, KEEP those originals
    Last edited by _Al_; 8th Nov 2017 at 09:36.
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  5. Member
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    Sorry Just opened this today, I'll read and respond later.

    Thanks
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