Hi
So far, the only (easy) way I found to join spanned (4k) MP4 clips created with my Panasonic VX870 camcorder is using the provided HD Writer AE 5.2 software.
My problem today is that I could not find a way to join clips that were not imported (from the camcorder or SD card) using that software: I have two MP4 files from that cam that must be joined, but they were previously moved to another storage [without the accompanying files containing metadata, i.e. without the complete containing DCIM folder], so copying them back to a SD card doesn't work (HD Writer AE doesn't see these clips on the card without the missing metadata files) and I couldn't find a way to import these files back into HD Writer AE, in order to join them.
Any suggestion ?
		
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	Have you tried join with mp4box? Or a frontend for mp4box like mymp4boxgui (under the join tab)? If they now can handle those mp4s. 
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	I haven't tried MP4Box yet...but for the record, Pegasys' TMPGEnc Smart Renderer 4, which is quite comprehensive and usually...smart, doesn't allow to encapsulate the resulting concatenated clip into a MP4 container because the source MP4 is "illegal"...Any other container allowed by TMSR4 for these clips (MPEG TS or MPEG PS) causes problems with my editing software. 
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	See if changing the audio settings in TMPGenc Smart Renderer will allow for mp4 output. Also, what editing software are you using that doesn't allow for ts or ps files? 
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	I am AMA-linking the MP4 files in Avid Media Composer 8.2; it uses QT as MP4 file reader and that's pretty restrictive Last edited by Benoit; 14th Jan 2016 at 05:05. 
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	Well, yes, the workflow is somewhat more complex: I need to join the files and use the resulting [single] long clip in a multicam (group) clip; also I am not working with DNxHR in a 4k project, but will do Frameflex pan&scan on this 4k AMA clip in a HD project: this means working with a proxy DNxHD res during the editing, but relinking to the original AMA source at a later time to get full res in the "zoomed in" clip before final render; in such a scenario, keeping the source MP4 files separate (joined on the timeline) is definitely possible but slightly more complex (time-consuming): need to create multiple group clips, etc. 
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	Got it. I've recently discovered that if I've got 3 or 4 breaks in one camera of a multicam show it's less time consuming to just make multiple groups. If you've got more than that it's a pain, I agree. 
 
 The route I was using previously was to create my sync map in Avid and then AAF the track with gaps into Resolve and output as a single clip directly into a numbered Avid media folder.
 
 Glad you got it working.
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