I was wondering if there's any correlation between the two. I see that MediaInfo and others mention this number, so I guess it's for a reason
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You should read this thread in doom9 forum:
http://forum.doom9.org/showthread.php?t=165490 -
Also should not go above 9 ref frames, as that is the limit for High@L4.1 is probably the most compatible profile.
Update: Yeah I forgot, 9 ref frames max for 720p High@L4.1, and 4 ref frames max for 1080p High@L4.1.Last edited by KarMa; 8th Nov 2015 at 14:25.
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Is there a trade-off? If higher ref frame numbers lead to smaller file sizes and better quality, there must be a disadvantage, otherwise nobody would use low numbers
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slower to encode, decoding needs more memory (means hardware players may not be able decode the stream if you go too high, many players can only use 4 refs for 1080p for example)
Last edited by sneaker; 8th Nov 2015 at 14:12.
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What if I, theoretically, go with CRF and 100 ref frames, and say it takes a month to encode 2 hours of video, how much would the file size decrease compared to 4 refs? 10, 50%, 90%?
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Depends on some variables like content type, but think 1%-5% (diminishing returns). It's not a magic weapon. Just use --preset, --tune and --level and let x264 choose optimal value.
Last edited by sneaker; 8th Nov 2015 at 14:21.
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Ever hear of the law of diminishing returns? Hyperbolic curve? Asymptotic functions?
It applies here.
That's why there is the often referred to encoding "sweet spot".
Scott
<edit>Sneaker beat me to it.Last edited by Cornucopia; 8th Nov 2015 at 19:39.
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If you're encoding for bd authoring don't go over 5 ref frames since most newer blu-ray players will show a lot of smeared blocking.
I think,therefore i am a hamster. -
1080p BluRay (and H.264 level 4.1 in general) is limited to 4 refs, so, yes, that's a bad idea to begin with. For "professional" authoring we have clear specs, no need for guesswork.
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