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  1. I'm wondering what settings you guys haved tried with Hcenc

    Currently i use the following:

    1pass vbr
    Best / dc 10 bits
    bitrate: 9000-9500 (avg)
    Autogop / interlaced TFF(or auto)
    AQ=2
    Lum=1
    dead zone auto
    Matrix: avamat6 (retain much grain according to my tests with minimal blocking)

    These settings seems great for music videos but not ok for every kind of footage particularly the matrix.
    *** DIGITIZING VHS / ANALOG VIDEOS SINCE 2001**** GEAR: JVC HR-S7700MS, TOSHIBA V733EF AND MORE
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  2. Member
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    I think when you specify Lum, it uses a custom matrix.
    AQ=1 is a good place to start. If you're having trouble with some material, try 2-pass.
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  3. The default AQ is 2 there must be a reason for that
    Correction though after further test the mpeg matrix seems best (for outdoor scene at least with plenty of light)
    *** DIGITIZING VHS / ANALOG VIDEOS SINCE 2001**** GEAR: JVC HR-S7700MS, TOSHIBA V733EF AND MORE
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    I once encoded a couple of documentaries I captured from A&E TV. The quality wasn't that good to begin with,
    and I ended up encoding at 1/2 D1 due to bitrate constraints. AQ=2 looked better in that case,
    distributed the bits more towards the flat parts and gave the whole thing a better look.

    It all depends on the material.

    AVStoDVD, the all-in-one DVD encode/author package, uses AQ=1 and LUM=1 for it's HCenc defaults.
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  5. Little comparison (for what it's worth):

    1pass vbr, AQ=2, lum gain=1, avamat6 matrix
    http://imageshack.us/photo/my-images/88/1passvbraq2lumg1avamat6.jpg/

    2pass vbr AQ=3, lumg =0, mpeg matrix
    http://imageshack.us/photo/my-images/41/2passaq3lum0mpegmatrix.jpg/

    Original (lagarith, YV12)
    http://imageshack.us/photo/my-images/225/originalvd.jpg/

    This is an outdoor scene with a rapid scene change (noise introduction (snow-like noise) onto the frame made in studio obviously).You can see artefacts in the 1pass vbr wheareas the 2pass is more "high fidelity"

    I must say that the 1pass vbr AQ=2, lumg=1 avamat6 matrix work better for low light/dark scenes, it retain much fine grain, verified with the histogram in luma mode.See link below:

    http://img696.imageshack.us/img696/1122/14918350.jpg
    Last edited by themaster1; 21st Oct 2011 at 19:43.
    *** DIGITIZING VHS / ANALOG VIDEOS SINCE 2001**** GEAR: JVC HR-S7700MS, TOSHIBA V733EF AND MORE
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    Good post. I'll encode some short clips myself, see what I can see.

    Any reason for picking avamat6? There's loads included, but I've got no idea when/why you would
    pick one over the other.
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  7. It's all about bitrate according to the info i have gathered see below:

    bitrate = matrix

    +4000k = FOX1
    -4000k = FOX2 ou MPEG_STD
    -3500k = CCE
    -3000k = AVAMAT6, QLB or other
    -2000k = AVAMAT7

    Sources:
    1) http://forum.doom9.org/archive/index.php/t-133470.html
    2) http://forum.digital-digest.com/archive/index.php/t-79160.html
    3) http://forum.doom9.org/showthread.php?s=&threadid=89897

    It's my understanding that these matrix have been made with good compressibility in mind (compressibility 1st, high fidelity 2nd) so personally i take it the other way round as i use 9000k bitrate most of the time, avamat 6 becomes ideal imo (i discard the extreme avamat7)

    Ideally you want 8 (on all rows) for Intra and 16 for non-intra frames but the result is not good and the compressibility is close to zero.The higher the number, the more you lose data.
    Last edited by themaster1; 21st Oct 2011 at 21:15.
    *** DIGITIZING VHS / ANALOG VIDEOS SINCE 2001**** GEAR: JVC HR-S7700MS, TOSHIBA V733EF AND MORE
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