The source is very clean, so the NR make the picture to look a bit worse. What you see is not noise, is picture changed by NR processing. Save a image (or whole clip) from both and compress with the same ratio and will see that the later have smaller size because NR removed some high frequency (noise/detail).
Later I will do with VHS tape.
jagabo the attachments from 53 post don`t work.
Ask gshelley61 and trhouse.
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Last edited by danno78; 20th Apr 2010 at 09:35.
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For some reason the images don't show up in the post but if I click on the links they open. If they're not working for others I'll fix the problem.
I did some further testing. They work as described in Firefox. They don't work in IE. I'll see what I can do...
I think they're working now. Be sure to view them full size.
https://forum.videohelp.com/threads/319420-Who-uses-a-DVD-recorder-as-a-line-TBC-and-wh...=1#post1979748Last edited by jagabo; 20th Apr 2010 at 10:01.
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I would be careful not to say "always turn NR off". Some crap tapes benefit from the NR, even when it does some damage. But benefits outweigh damage.
I need to open mine up again, doublecheck chipset, and then do some tests. No time right now, though.Want my help? Ask here! (not via PM!)
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ES15 with passthrough performance with S-VHS tape:
I used the following settings:
BEST=Off
Picture control=Edit
Digital 3R=OFF
TBC/DNR=OFF
JVC + T550:
http://www.mediafire.com/?lwmmtuy1muy
JVC+ES15 with DNR=Off+T550:
http://www.mediafire.com/?j21idxwijme
JVC+ES15 with DNR=On+T550:
http://www.mediafire.com/?evnthznzund
At this file TBC/NR from JVC vcr was activated
JVC with TBC/NR=on+ T550:
http://www.mediafire.com/?lnzlzmjwrhm
There is some motion artefacts when NR was activated. This is also true for JVC NR. The issue occurs when the two consecutive frames are completely different by color. Can be see only frame by frame and only the first two/tree new frames are affected. On normal speed I can`t see anything.
So, without NR, ES15 passtrough performance is close to excellent. -
Be careful comparing JVC VCR NR to Panasonic DVD recorder NR.
Some people may think this means it's "the same" -- it mostly certainly is not.
JVC does not have obvious motion oddities to it.
Both have temporal artifacts, if you know what you're looking for.Last edited by lordsmurf; 20th Apr 2010 at 17:06.
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Life is better when you focus on the signals instead of the noise.
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I've looked at both sets of captures from danno78 (DV and VHS), and I can't see anything wrong with them. I've compared side-by-side, frame-by-frame.
It's not aggressive processing (there's still noise in there), but it's not doing anything wrong either. It's basically transparent for VHS (except for the improvement!). Can you see any faults on the VHS NR-off clip?
Whereas I can see "faults" with my Panasonic VCR's NR, watching frame-by-frame. It's quite subtle though - it sometimes averages away (or at least reduces) feint moving picture detail.
Cheers,
David.Last edited by 2Bdecided; 22nd Apr 2010 at 12:26.
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So let me see if I am getting this. It looks like your DVD player won't output or your capture card won't capture IRE below 0, so that's being clipped in the samples. It looks like your DVD Player or your capture card is slightly crushing whites above 100 IRE, and that the ES15 is crushing whites even a little more. But other than that, ES15 pass-through doesn't appear to be affecting the luma that much.
Also, you are going to do some more testing with VHS.
danno78, your two tests so far have been with very pristine sources (DV and S-VHS), can you do once more with regular VHS?
davideck, that's not exactly what I was asking about (was directed towards the claimed PQ issues with the poor LSI implementation), but perhaps is more important. I don't really care how good the PQ quality is if it doesn't fix the waviness. So it sounds like ES10/15 are the ones. -
Imagine watching a scenic image of waves. But the small waves don't move, only the big ones. It looks weird. That's the NR issue I've seen on the ES10.
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FAQs: Best Blank Discs • Best TBCs • Best VCRs for capture • Restore VHS -
Yes. I have no calibrated test hardware for testing the output of the DVD player, or any way of generating a known-to-spec signal to feed the capture card. So for these test I'm assuming the output of the DVD player is close to spec (at least you can pretty much see every step in the ramps between Y=16 and Y=235) and adjusting the capture card to suit. Given this, what's more important in these tests isn't the absolute value of the levels, but whether they change when the ES15 is put in the loop.
Yes.
I agree. Nor does there appear to be any significant posterization in the IRE 0-100 range -- at least in these static grayscale tests. Posterization would show up as broad flat (aside from the noise) spots in the ramps in the graph.
Yes, I'm running tests today and will post some samples later.Last edited by jagabo; 22nd Apr 2010 at 15:11.
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First set of files from an Ozzy VH1 Behind the Music VHS master with a Panasonic ES10 pass through with Line in NR turned on, and both input and output black level set to darker, more info:
JVC HRS-9800U S-VHS Deck (TBC/DNR Turned ON, Audio set to HIFI) >
AR Pro II Series S-Video Cable > Panasonic ES-10 > AR Pro II Series S-Video Cable > Audio wires from vcr >
Sony TR-740 Digital8 Camera (TBC/DNR Turned ON) > firewire > JVC DRM-100 DVD Recorder >
1 DVDR SP Mode -
Same method, different tape. Joan Jett VH1 Rockin the Rockies vhs master
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Once again, I'm using a Philips DVP 5990 DVD player as my source device. The output of that was sent via a composite cable to a Sony SLV 678HF VHS VCR and recorded on an old used TDK EHG T120 tape. Video was capture by a Hauppauge PVR 250 using a GraphEdit graph to capture from the Preview pin of the WMA Streaming Caputure Device. This bypasses the card's MPEG encoding. The PVR 250's proc amp was "calibrated" to the DVP 5990's composite output. The following caps were exported from AviSynth with ConvertToRGB(matrix="PC.601") to prevent the usual contrast expansion.
The video straight from the DVD player to the PVR 250 capture card:
Recorded onto VHS tape, played back, and captured by the PVR 250:
Played from the VHS tape, passed through the Panasonic ES15, captured by the PVR 250:
The VHS deck played the video a little too hot. The ES15 appears to have toned it back down.
Oh, I made sure the ES15 noise reduction was turned off. Caps were all HuffYUV in AVI. Let me know if you want the AVI files.Last edited by jagabo; 22nd Apr 2010 at 19:25.
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since discovering that a problem vhs I have , and i tried the "conventional" methods, s-vhs panny and jvc vcr's, tbc1000 to the jvc dvd recorder, was fixed by connecting two 680HS Panasonic VCR's in a chain to a jvc m100 dvd recorder, through a TBC1000 I admit, I have concluded that running round my garden naked and placing a large sausage in the connection chain may help with difficult conversions.
PAL/NTSC problem solver.
USED TO BE A UK Equipment owner., NOW FINISHED WITH VHS CONVERSIONS-THANKS -
Here's my low resolution luma/chroma test chart. Same details as post #75 in this thread. I'll address the luma levels first:
Y channel, straight from the DVP 5990 to the PVR 250:
For those who don't know, the sinusoidal wave at the bottom is from the grayscale bars in the image. The solid horizontal line is from the green/magenta bars. They are at the same intensity (about Y=48) but the chroma channels are changing sinusoidally. We'll see more about that later.
Y channel, from VHS to the PVR 250:
There's a little sharpening (increased amplitude of the sine wave in the right half) even though the VHS deck's sharpness setting was turned all the way down.
Y channel, from VHS, through the ES15, to the PVR 250:
A small levels drop in levels at the top end, about 6 pixels. Similar to the levels test in my previous post.
Now lets look at the U channel. I'm going to leave out the top part of the images because they don't change. Only the wave form monitor setting is changed in VideoScope().
U channel, straight from the DVP 5990 to the PVR 250:
There is a little rolloff as the frequency increases. Probably from a low pass chroma filter in the DVD player.
U channel, from VHS to the PVR 250:
As expected, the low color resolution of VHS causes a severe rolloff as the frequency increases. Even at the low frequency end there is a little loss of amplitude in the sine wave, but not in the flat bars.
U channel, from VHS, through the ES15 to the PVR 250:
There's a significant drop in amplitude of the U channel, about 16 units. If you look closely at the full Y channel image above you can see that the green and magenta bars are indeed darker and less saturated.
The V channel data looked substantially similar to the corresponding U channel data so I won't bother to post images.Last edited by jagabo; 22nd Apr 2010 at 22:22.
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Okay, now translate that into English.
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Last edited by jagabo; 23rd Apr 2010 at 00:13.
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Life is better when you focus on the signals instead of the noise.
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I don't know. But if not, I have a "real" TBC (either the IVT-7 or the TBC-3000) to deal with that.
jagabo - I think you nearly blew my mind with the VHS stuff.
At the risk of oversimplification, the results of your VHS testing (with a VHS deck that is a little too hot on the luma and slightly lower in chroma than the reference) is that ES15 pass-through lowers both luma and chroma slightly.Last edited by BrainStorm69; 23rd Apr 2010 at 03:34.
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It certainly did for these test patterns from this VCR. But I suspect the ES15 has an automatic gain control that is trying to correct the too hot signal it is getting from this VCR. I did run some other tests trying to understand exactly what was going on. From the DVD player I fed the ES15 from a picture that was too bright (~1/3Y=0, no peaks over Y=192), another that was too dark (~1/3 Y=255, nothing below Y=64), and another with too much contrast (~1/4 at Y=0, ~1/4 at Y=255, and the rest in between). In all cases the output was pretty close to the input, except for the clipping at the top and/or bottom. So the AGC doesn't seem to adjust the signal based on picture content. I suspect it's adjusting both the luma and chroma based on the horizontal sync pulse depth. I have no way of controlling that so I can't verify it.
I don't know what's inside the ES15, but this document:
http://www.datasheetcatalog.org/datasheet2/f/0cosr6uue0wl8ypepjp3cliyfucy.pdf
mentions that the chip's AGC can be based on hsync pulse, chroma burst, or picture properties. -
Life is better when you focus on the signals instead of the noise.
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What is horizontal jitter anyway? This has confused me for years as the jitter ive seen has usually been vertical.
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Last edited by BrainStorm69; 24th Apr 2010 at 18:20.
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"Jitter" is a technical video term, meaning waviness in the image.
Jitter as used to described something vibrating up and down is a laymen's term, and not a technical term. I forget the tech term offhand.
Thanks for the translation jagabo. I thought that's where you were going, but just wanted to be sure. This change to luma and chroma is standard on Panasonic DVD recorders. What I also noticed on the ES10 was the compression of the color palette -- it gets posterized.Want my help? Ask here! (not via PM!)
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That was from a pair of of videos (crops from screenshots from several consecutive frames enlarged 4x). Here's a full frame with mild horizontal jitter (from one of those videos):
It's a little more obvious when the two fields are separated and stacked:
Those lines should be prefectly straight. The amount each scanline shifts left or right varies with every frame.
Here are some more (along with TBC corrected samples):
https://forum.videohelp.com/threads/230650-Confused-Why-a-VCR-with-TBC-if-separate-TBC-...=1#post1346821Last edited by jagabo; 25th Apr 2010 at 08:41.
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