Yeah, normal smooth movement, especially when kept interlaced. Easy to work with HD material that's been encoded into DVD res stuff - the downsizing hides most imperfections that might not go unnoticed at full res. You should try converting the 1440x1080 AVCHD source to 1920x1080 Mpeg2. I'm guessing some artifacts might show.
The great thing - any of this new HD camcoder stuff looks much better than 720x480 res DV.![]()
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I will give 1920x480 a try. As I get closer to making a decision on which format HD camcorder to purchase, how do you feel about the quality of the AVCHD clip? HDV or AVCHD?
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I think a camera that captures in HD Mpeg2 will save you a lot of grief in the end. And you'd be able to edit the stuff on any PC or Mac.
I think the PAFF interlaced AVC camcorder format is going to be replaced with "normal" progressive AVC h264 in the next few years, if not sooner. Then again, I was wrong about 80s music even being popular again -
Outside of editing, do you see any appreciable difference in the naked eye visual quality of the end result? I can't, but then again, I can't see much anymore........
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Nope. Looks pretty nice in the end. Here's a few tiny clips of some AVCHD - Mpeg2 encodes. Bottom of the thread -
https://forum.videohelp.com/topic326463.html -
Thanks, I will download and play with those next week. I am out of town for the weekend, therefore out of commission.
Thanks for all the help -
Originally Posted by edDV
JP -
Jp,
I am on the waiting list for the Sony SR8, 100 gig hard drive. It is the AVCHD mpeg 4 compression and I have had no problem editing and converting clips in Vegas 7.0e. I am sure all the new edtiting software that comes out will able to handle the highly compressed format. I just feel that Sony is a trend setter and if they are working towards AVCHD, it will be the compression of the future. The clips in both formats look vitually the same to me. Hope this helps.... -
Originally Posted by v_palmeira
My other cameras are mostly out on a shoot or in some other productive activity. This "cheap cam" needs to be a stand in for the big cams to get the process flow tuned and the computer working correctly.
It will also fill in for location B-Roll and personal use.
I'm seriously leaning to the HV20 to fill the 24p stand in roll and to do 24p to PAL transfers cheaply. I need to rent 24p cams so this will save rental cost. I can't see any advantage to the JVC. The Sony is supposed to have better zoom controls and better optical stabilization. Those advantages are a bit less important to me since I use tripods for B-Roll.
The A-Roll cam will be a Sony Z1u until I can afford something like an HVX-200. -
Jp, Import the AVCHD or MT2S file into the Vegas timeline and render as, mainconcept mgeg2 and pick one of the hdv formats at the bottom. As you scroll through, you will see they are for the m2t file format. I think in a few weeks, there will be some more help to be had in this area. At this point, it is really new technology for the non professional.
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Originally Posted by tchambers
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To edit AVCHD sourced clips smoothly in vegas 7e (or Premiere Pro which is my choice) I have found that rendering from Vegas to avi (video for windows) and then selecting a suitable HDV (1080 /50i for me PAL) gives best results (than the main concept mpg HDV options) - but the files created, whilst great for the editors, are big - 3gig per 5 mins or so.
One thing I cant crack is joining the M2TS AVCHD files first (without rendering) I can join them and remux in TS splitter or TS Remux (or a combination) but the resultant TS file,, although it plays fine, gets rejected by Vegas when trying to import. Oddly though I can remux a single sony M2TS clip using TS Remux and vegas is happy with it - but NOT if I have joined more than one file. Annoying - as I dislike the way these cams generate a sep file each time you hit record. Be grateful for any steers. Tried the Elecard muxer too wwithout luck
Thanks Mick -
Originally Posted by MickKeay
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no i mean the actual sony BD player
thanks for your prompt answer -
Hello Everyone,
I am new to this, but I did find a program that will allow you to edit AVCHD (.m2ts). Pinnacle Studio 11 Ultimate
Studio 11.0 and higher can import the following video file formats with the allowable extensions for each format noted in parenthesis:
AVI File – (.avi)
MPEG Files - MPEG-1, MPEG-2 SD & HD, and MPEG-4 - (.mpg, .mpeg, .mod, .mp2, .mp4, .m2ts, .mts, .m1v, m2v. mpv) - HD file import requires Studio Plus or Ultimate Version 11
WMV Files – (.wmv)
DIVX – (.avi)
MOD (JVC Everio cameras) – (.mod)
3GPP Files – (.3gp)
AVCHD – (.m2ts, .mts) – Requires Studio Plus or Ultimate Version 11. -
Why would you buy the Sony HC7 (miniDV) instead of the SR7 (HDD)?
I own the SR7 and it is a joy to use after using miniDV. I can easily "copy" the videos I want, I have a ton of storage space (60GB on the SR7 -- more than 8 hours at max quality; 100GB on the SR8), and I have absolutely no worries about tape related nonsense -- such as tape jams, tape motor noise, recording in the wrong spot, etc. All that AND it is far easier to review prior recordings. Go back to miniDV? Never.
BTW, FWIW, IMHO (okay I'll stop), I love my Sony HDR-SR7.
You can copy over the video via USB cable and it is quite speedy -- also, using Sony's program, the files are renamed in a date/time format automatically which I find very convenient. [You can also just plug it in and see the camera as an external HDD, but when you copy over files, they'll have bland filenames instead of the neatly named date/time setup you get via the program.]
As far as OUTPUTTING to optical disc, Sony's included proggy will burn an AVCHD 'disc' playable on a BluRay player, and this need only be a DVD+/-R, not a BluRay blank. 9.4GB of a dual layer DVD+R DL is plenty of room for most people's use. There is NO conversion done in this process, only a file structure setup. It's possible your BluRay or HD-DVD player will just play back the files even if you just burn them to a data disc. My PS3 happily plays back my AVCHD files, whether they are on a thumbdrive, a DVD+R, or a portable HDD. -
Originally Posted by jg0001
"Tape Issues" are easily managed but require discipline. Likewise a backup strategy for AVCHD requires discipline. AVCHD files are easily lost. -
I was more than willing to spend 2x-3x more than I spent on my SR7, but there was really nothing 'better' in the same size range that was worth it. Regardless of recorded format, in terms of media, I firmly believe tape is finally facing competitors that will put it to rest for good (HDD and Flash).
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Originally Posted by jg0001
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HDV... okay, but point out an HDV camera that is remotely user friendly, records to HDD, comes in a relatively small form factor, and records at 1440x1080 or 1920x1080. [Serious question... I'd like to read about such a device and would consider it.]
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Originally Posted by jg0001
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