My next comment will be considered heretical by many. However, it is a historical fact that 2-pass (full-length-passes) are relics from the days when MPEG-2 encoders were large hardware devices that controlled BETACAMSP decks using RS-serial protocol. In those days, the source material was not all in digital format, and so to do analysis, the encoder had to rewind the source deck and play the material through from start to finish.Originally Posted by rantanplan
I can tell you for a fact, that when the going gets tough for an encoder (when the GOP bitrate is peaking close to the sequence_header.bitrate), the encoder can _at most_ borrow from a bit pool several GOPs ahead or behind without violating the buffering requirements for MPEG. The vbv_buffer is just as important as the sequence_header.bitrate for conformance.
The primary point of VBR encoding is to reduce waste and make files smaller, and in the days of machine controlled tape decks, multi-pass was used to estimate global bitrate allocation to make sure the compression would fit into the media. Case in point: even today, the boards are filled with people using 2-pass VBR and their movies still don't fit into the DVD-R they are targeting and lots of people are having troubles with building and muxing.
Pro Hollywood DVDs are produced on multi-pass interactive systems. Part of the bitrate allocation is determined by the machine, part by the operator. The mastering process (audio,video whatever) is always about trade offs, and I think it takes a pair of eyes to make good decisions. And quantitative tools are helpful as well.
Gen Kiyooka
Digigami
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Originally Posted by kiyookasan
Here you go, they're using the '2-pass' terminology, but strictly speaking, they simply have motion-compensated filtering with forward feedback just in front of the encoder. It runs only 1 second in front of the encoder, which if it were DVD encoding, would be about 2 GOPs.
Unfortunately, in this whitepaper, they are pounding the 'I-frame injection' drum, which if you ask me is like saying the sun revolves around the earth.
If you download and analyze the streams SERBIAN's fav hardware encoder (look upstream on the thread) is emitting, they are not doing I-frame insertion and their stuff looks fantastic. I wrote this up in my blog, analyzing the frame size and quality at places where B-frames are found on cut scenes. The entry is a couple pages down.
http://www.digigami.com/megapeg/blog/.
Gen
Digigami -
Originally Posted by geezerbuttz
Here's the bitrate and compression profile for the SVCD. The average bitrate was about 1.5 mbits, well below the SVCD max of 2.6.
http://www.digigami.com/megapeg/screen.php?screen=LXG_svcd
The SVCD file size is about 955 MB.
And here is the bitrate profile for the original DVD.
http://www.digigami.com/megapeg/screen.php?screen=LXG_dvd
I'd be willing to pony up free copies of our pro bundle package for anyone who wants to do some independent tests and write up a tutorial. And if the byproduct is some recommendations that improve our presets, so much the better. If you're interested send me a msg here, or for a bit quicker response mailto:gen@digigami.com.
Gen Kiyooka
Digigami -
HEY..
I e-mailed you about testing the app , but you dont reply .. what gives?
GB -
Originally Posted by geezerbuttz
So if anyone else is interested, use the videohelp message system if you're interested.
Gen
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