If I understand correctly, you couldn't load the MOD file so you converted it to MP4 before importing it. Your original.mp4 file contains interlaced frames but it's encoded progressive -- so the editor handled it as progressive, simply duplicating frames from 29.97 fps to 59.94 fps.
Try StreamFab Downloader and download from Netflix, Amazon, Youtube! Or Try DVDFab and copy Blu-rays! or rip iTunes movies!
+ Reply to Thread
Results 31 to 46 of 46
Thread
-
-
-
Premiere Pro CC 2017 is accepting the original files & the transport streams. But it's importing them as 540x480 and I see no way to interpret the footage to the correct size
-
-
In this instance the aspect ratio isn't the issue. It's importing to the wrong frame size from the start. Can't modify that in the interpret footage dialog. There's gotta be something seriously wrong with my mpeg codecs on both my Mac and PC. Upgrading my mac premiere now. We'll see where that goes.
-
The reason for the crazy AR is there is a sequence extension specifying 540x480 (if you open the original MOD file with gspot you can see it)
You can strip the extension with programs like restream, but it's not necessary since PP will ignore it if you import the MOD natively and override the AR by interpreting
Are you saying the MOD isn't 720x480 16:9 after interpreting ? It works here. That's why the 59.94 MP4 export worked -
Are you sure you're using the correct sequence settings ?
Use the native MOD files. After you've interpreted the clip(s) just right click => new sequence from clip and it will generate a sequence matching the characteristics of the clip -
I'm saying that I have no option to interpret the clip as 720x480. It's stuck on 540x480. It's incorrect before I even make a sequence out of it. Even after updating the AR to widescreen, still cut off.
BUT I just updated my mac to CC 2017 and it was able to open the MOD file, interpret to widescreen, and use successfully.
What a nightmare!
Gonna walk away from this for a while. Will try to render out a sequence later and report back :P -
I see why Premiere has problems with the video. It's 720x480 and flagged 4:3 DAR. But it has a sequence_display_extension indicating that 4:3 image is in a 540x480 portion of the frame -- meaning the full frame is 16:9. This isn't used a lot and many programs don't deal properly with it.
-
What a mess
But I think I have it all working. Here's a sample of a render. 720x480 widescreen, 59.94, progressive:
https://www.dropbox.com/s/0h5rgusyevza9sy/finalsample.mp4?dl=0
It's a different clip, same camera though. Does this deinterlacing look correct? -
It's a simple bob but everything was done correctly. With such dark fuzzy material you won't notice the mediocre deinterlacing much.
Cool music. I wouldn't mind seeing more... -
Yeah, just tossed it on youtube and that didn't help much either. Overall i'm okay with it. The band is awesome, here's a good song by them: https://www.youtube.com/watch?v=dkkVqaEZ_KM
And here's the full video I was working at: https://www.youtube.com/watch?v=DbO0FEdEPog
Thanks again to everyone who helped me sort this out! I'm upset that I wasn't able to get the audio sync issues sorted out when going to avisynth route. But as long as i'm able to get it working somewhere i'm okay with it.
Similar Threads
-
Deinterlacing a progressive clip
By vipren369 in forum CapturingReplies: 14Last Post: 8th Sep 2017, 07:16 -
H264 2pass messed up private data for joining files
By FireEmerald in forum EditingReplies: 11Last Post: 22nd Aug 2017, 10:32 -
QTGMC vs TFM for Progressive Source
By TheLastOfThem in forum Video ConversionReplies: 8Last Post: 26th Jul 2016, 05:52 -
H264 video cutter with smart re-encoding (alternative to VideoRedo H264)
By cheerful in forum Newbie / General discussionsReplies: 1Last Post: 22nd Jul 2014, 08:42 -
Encoding For Better Quality? Codec: H264 - MPEG-4 AVC (part 10) (H264)
By derek123 in forum Video ConversionReplies: 7Last Post: 20th Jan 2014, 04:01