Hello,
Maybe an odd question, but I am looking for a way to convert my film grain scans from 23.976fps to 60fps, so that when I use it as a Matte in Davinci Resolve. That way, when I throw it back over to premiere in an XML, it will slow down correctly when overlayed onto a 60p clip slowed to 24p.
I tried speeding the grain clip up 250% and exporting as 60p, but when I pull it back onto a 24p timeline and slow it down to 24p it is just as choppy, as if I never exported it as 60p.
Any ideas? Would love a way to do it inside of premiere if possible so I can export in a lossless format to retain as much detail as possible.
Thank you for any suggestions!
		
			+ Reply to Thread
			
		
		
		
			
	
	
				Results 1 to 3 of 3
			
		- 
	
- 
	No clue about the tools you used, but: 
 
 No surprise, you first changed the time each frame is displayed and then changed it back.I tried speeding the grain clip up 250% and exporting as 60p, but when I pull it back onto a 24p timeline and slow it down to 24p it is just as choppy, as if I never exported it as 60p.
 
 Looking at https://theblog.adobe.com/optical-flow-time-remapping-tips-tricks-for-best-results/ you probably are simply using the wrong frame interpolation method. When going from 24 to 60 frames per second your playtime should stay the same and your frame count should increase to create a slow down effect during playback.Any ideas?users currently on my ignore list: deadrats, Stears555, marcorocchini
- 
	what is your "film grain scan" ? Is it a grain plate ? To add grain to your composition? 
 
 What format is it in ? Image sequence? Prores /MOV, something else ?
 
 When you interpret the footage in PP, the slowdown just changes the playback rate with the same number of frames. It's 1:1 in terms of frames . If you had 100 frames, you have 100 frames after, just instead of 59.94p, it plays back at 23.976p
 
 So one way to do this in PP is to use nested sequences
 1) interpret the grain clip as 59.94 (right click in the project bin => modify => interpret footage)
 2) place grain clip in it's own 59.94 sequence (e.g right click in the project bin => new sequence from clip will make this a 59.94p sequence with same characteristics)
 3) in the main sequence timeline (23.976), drag the new 59.94 sequence (not clip) to the timeline (PP will "see" this nested sequence as a 59.94p video, so it will "drop" frames to conform it to a 23.976 timeline. ie. you will be "missing" frames at this point)
 4) right click the 59.94p sequence on the timeline, make sure time interpolation is set to "frame sampling"
 5) right click, speed/duration 40% . You should see the 59.94 sequence extend in length. So it's back to 1:1 frames , as if you natively slowed down a 59.94p video to 23.976
Similar Threads
- 
  50p/60p - any point?By akkers in forum Camcorders (DV/HDV/AVCHD/HD)Replies: 37Last Post: 30th Oct 2019, 14:44
- 
  Converting mixed 24p/30p (encoded as 30p) to 60pBy Luke M in forum Video ConversionReplies: 0Last Post: 3rd Jan 2019, 23:18
- 
  Why does conversion to 60p add video look?By brassplyer in forum EditingReplies: 6Last Post: 7th Dec 2017, 07:09
- 
  change 50p to 60p and author ?By texas1 in forum Authoring (Blu-ray)Replies: 2Last Post: 15th Jul 2017, 13:53
- 
  60P Video...how deliverBy ron spencer in forum Video ConversionReplies: 26Last Post: 26th Jan 2016, 18:49


 
		
		 View Profile
				View Profile
			 View Forum Posts
				View Forum Posts
			 Private Message
				Private Message
			 
 
			
			

 Quote
 Quote Visit Homepage
				Visit Homepage
			