It was an old fairy tale for a new generation.
The princesses were the heroes.
I bet they're absolutely lovely.
The handsome prince, the bad guy.
Aah!
The heartthrob needed a stylist.
The breakout star?
Olaf?
I like to think it was this devilishly good-looking snowman.
But you won't believe how it all came to be.
Because the story of how we made "Frozen" is as magical as the movie itself.
This is amazing!
Sync and corrections by masaca - addic7ed.Com -
but now, before we start, I got to level with you...
I'm not really a snowman.
[ Grunts ]
See the resemblance?
Hi, folks. My real name is Josh Gad.
And welcome to the legendary Walt Disney animation studios.
Nice, long, sweeping lines around her face.
This is all the painting here.
Do you know that 600 people worked for 2 1/2 years to bring Anna, Elsa, Kristoff,
and yours truly to life?
Fixer-upper!
I'm in love with the animators.
They're the true heroes of this whole thing.
In creating a character in animation, two people are really vital.
Did I say that out loud?
The voice actor and the animator.
When she throws the crown.
They together make the character.
You look beautiful.
We're gonna tell you all kinds of things about how they did it.
But first, another surprising detail.
"Frozen" almost didn't get made.
I'm guessing you don't have much experience with heat.
Get ready for this...
It took 70 years to get this movie into production.
The origin story of "Frozen" is "the snow queen" by Hans Christian Andersen,
and Disney had been trying to develop that story for many, many years.
Walt Disney dreamed of doing it as long ago as 1937.
Well, how about the one we've always wanted to do and never got around to?
But it never quite happened, and eventually,
animated princess movies just went out of style.
A lot of people felt that the world had grown too cynical for a sincere fairy tale.
They said, "we're not gonna make another one."
And so when Ed Catmull and I came in, we go, "yeah, we're gonna change that.
We want to do this."
So we started out by bringing back hand-drawn animation with "the princess and the frog."
Then they made "Tangled"....
And then went back to tackling "The Snow Queen"...
This time, with a whole new name.
And voila!
This is so nice. Oh! I wish it could be like this all the time.
Kristen Bell and Idina Menzel.
What power do you have to stop this winter?
To stop me?
They're amazing with what they brought to these characters.
There? Here?
Oh, are you sure? 'Cause I don't think I'm supposed... oh.
Kristen brought this wonderful, goofy, real girl character
that people can relate to because she has her faults and everybody does,
so it really makes the character come to life and become believable.
Oh! Hey!
I did look at Kristen's recording sessions,
and what I got from it was just some of the goofy things she'd do.
I mean, you look beautifuller. Just by watching her expressions.
I kept pushing for her to be quirkier and goofier
because that's how I felt as a kid growing up.
I'm awkward. You're gorgeous.
- Wait, what? - I sort of embraced having a
not-so-standard princess personality.
- I'm completely ordinary. - That's right... she is.
Keep the thing the best way.
I really wanted to make Anna different.
And I wanted her to be a role model for little girls who were like me.
I love that she's a real girl.
She wakes up with messy hair, with the hair in her mouth.
Yeah?
You're always recorded, so you can come to work in your pajamas,
but someone is going to view that tape.
So you have two cameras on you at all times to catch,
like, itsy-bitsy imperceptible movements of your face,
of your eyebrows, where you use your hands.
It adds so much dimension to these characters.
Becky Bresee also used another actress to capture Anna herself.
I have a camera at my desk, and I shoot a little movie of myself acting the scene out.
Witch, that's part of the joy of my job.
This is what the reference was.
Sorry. I'm sorry.
I didn't...
We leave... now. Right now.
What I'm taking from this are poses or expressions.
Like in this scene, I didn't quite know where to put my hands.
I was uncomfortable.
I thought, "ooh, that would be good for the fact that she is a little uncomfortable."
We leave now. Right now.
What it is, it's putting those little truths into your scene,
that really makes the character come to life a she becomes believable.
For the younger versions of Anna and Elsa,
Becky also found inspiration from her own family.
My daughters, some of the scenes with Anna and Elsa in the beginning of the movie,
they acted some of those scenes out for me.
What? No. No, no no, no.
Idina also brought this wonderful vulnerability to Elsa.
When I was a kid, I had this voice, and so I would hide it all the time,
so I completely related to this character.
When Idina came to the studio to visit, she talked to the animators.
They sat me down in front of a group of about 80 of them,
which I thought it was just gonna be three.
Maybe it was a little bit overwhelming for her. She was a little bit nervous.
And I was thinking, "this is kind of like Elsa."
But when Idina started singing.
♪ The past is in the past ♪
All of that changed.
You could see the power come out of her. It was amazing.
Idina worked with animators to make Elsa's singing feel realistic.
They wanted to know how I sing, really.
What do I do when I breathe?
She talked about how when singing you use your diaphragm. It's very subtle.
That's what this control does right here.
You can kind of get the sense that she's actually breathing.
It's a puppet, it's not real,
but you want to make sure that it feels like she's taking in oxygen and she's breathing.
Idina talked to them, they added it, and it just, like... bink!
It just... all of a sudden, she seemed more real.
The writers, animators, and actors worked together to find the voice of each character.
It's a palace made of ice!
And sometimes, the odd reindeer, too.
It felt psychotic to be talking as Kristoff and then also as Sven.
♪ Let's call it a night good night ♪
I think Sven would probably say to Kristoff.
"Kristoff, why are you trying to such a tough guy?
You know you're in love with Anna."
And then Kristoff would be like, "no, I'm not in love with Anna.
What are you talking about?"
You know, just that sort of back and forth makes you feel like a crazy person,
but it's so much fun.
And then there was this guy.
Hi, everyone. I'm Olaf. And I like warm hugs.
Olaf is an animator's dream.
I really like this guy.
I mean, here's a character that you can pull apart.
Man, am I out of shape!
Put back together in different forms.
There was a lot we could do with him.
Olaf's not Olaf without Josh Gad.
Yes.
- Yellow. - No, not yellow. Yellow and snow?
[ Shudders ] No go.
Josh would go into that recording booth and just put himself into it.
Hi. I am Olaf, and I like warm hugs.
And for an extra flower, I'm also a love expert.
And just the little movements and especially his facial expressions were very helpful.
I don't have a skull or bones.
Like everyone else, Hyrum found inspiration close to home.
- Say hi, Tim. - Hi, Tim!
I actually looked to my little boy Timmy at home,
to try and look at his little mannerisms and the things that he did to animate Olaf,
and it led to things like really keeping him light, he hops a lot.
We really tried to keep him in a childlike feel to his character.
And Hyrum found even more inspiration in the family scrapbook.
I am an Osmond.
There's a small tribute in "Frozen" to my Uncle Donny.
It's during the "love is an open door" song, as they're walking from the waterfall,
that big note where Hans kind of belts it out.
♪ Door ♪
It was sort of the family joke to kind of imitate them as they'd go...
♪ Eeeh ♪ you know, and do their big notes.
Donny Osmond wasn't the only surprising source of inspiration.
John Lasseter, being an animator, he had done this really funny thing imitating Olaf.
We were trying to describe it to the animators,
and we couldn't get it, so we caught him in the hallway,
and we're like, "just do it! Just do it!"
It's that moment where Olaf does the, "he's crazy."
He's crazy. They're just rocks.
Hey. Whoa. I don't even recognize you. You've lost so much weight.
I'll distract him while you run. Hi, Sven's family! Hi!
That's pretty much what you see on the screen.
Yeah. So, a lot of, for us, the memories are them, the people we worked with,
acting them out in front of us and goofing off of.
Or..It's a lot of all their personalities.
Yeah.
The directors and myself, we talked to the animators in terms of emotion.
It's like you look at those faces and that character is alive.
Coming up...
Would you believe my favorite song almost didn't make the final cut?
♪ Do you want to build a snowman ♪
♪ or ride our bike around the halls ♪
♪ for the first time in forever ♪
♪ I finally understand ♪
♪ for the first time in forever ♪ ♪ we can fix this hand in hand ♪
One thing you may not realize,
is just how personal the making of this movie really was...
For almost everyone who worked on it.
♪ 'Cause for the first time in forever ♪
♪ I will be right here ♪
♪ it's just a bit of a fixer-upper ♪
Like, did you know that the songwriters are actually a husband-and-wife team
and that young princess Anna is sung by their daughter?
Elsa?
[ Knock on door ]
♪ Do you want to build a snowman ♪
♪ it doesn't have to be a snowman ♪
Bobby and Kristen's daughter Katie did the scratch voice for the little Anna,
and my daughter did the scratch voice for the 9-year-old Anna.
♪ Do you want to build a snowman ♪
We started saying what we really want is the authenticity... these are authentic kids.
And there was a sweet vulnerability and naivete and just purity,
and we wanted to capture that.
♪ It gets a little lonely all these empty rooms ♪
♪ just watching the hours tick by ♪
Our kids inspired these characters a lot,
and then to have them in playing parts in it, it comes full circle.
And here's something else. Take a look at these early sketches.
At first, Anna and Elsa weren't even sisters.
Anna was a peasant who journeyed to ask the Ice Queen Elsa to freeze her broken heart.
But it just didn't feel right.
We were struggling. We were struggling with the movie.
We were struggling with the emotional heart of it and how do we feel for these characters.
The issue that kept coming up is, what do Anna and Elsa have to do with each other?
Why does it matter? And how could it matter more?
And someone in the room said, "what if they were sisters?"
We don't even know who came up with the idea,
and no one wants to claim it. I don't know why,
'cause it's a great idea. But everything started to click.
And once again, it all got very personal.
Elsa, psst.
I adored my sisters when I was growing up.
Elsa!
And I could definitely relate to wanting to be closer to them
than they wanted to be to me when I was the little runt.
- Wake up, wake up, wake up! - Anna, go back to sleep.
[ Sighs ]
I just can't.
The sky's awake, so I'm awake, so we have to play!
Come on, come on, come on!
[ Both laughing ]
I have a younger sister. She's three years younger than me. Her name's Cara.
We're super-close.
Do the magic! Do the magic!
I was so super-protective of her, like an older sister.
I used to get up in people's faces if anybody was mean to my sister.
- Ready? - Uh-huh.
I would compromise or hide any secret if it meant saving my sister in some way.
[ Anna squealing and laughing ]
Queen Elsa of Arendelle!
There's a built-in hierarchy when you have siblings, and the older ones are always cool.
Princess Anna of Arendelle!
The younger ones just so badly want approval.
I don't think I'm supposed to... Oh. Okay.
Hi. "Hi" me?
Oh. Um, hi.
- You look beautiful. - Thank you.
I mean, you look beautifuller. I mean... not fuller.
You don't look fuller, but more beautiful.
[ Chuckles ]
Thank you.
It's a pretty monumental moment when your older sister...
I know this 'cause I have two older sisters...
Gives you an adult compliment and says, "you look beautiful."
I wish it could be like this all the time.
Me too.
But it can't. It can't.
That eager-to-please little-sister feeling led to,
what would ultimately become one of the film's most beloved moments.
Do you want to build a snowman?
And would you believe that my favorite song almost didn't even make the final cut?
[ Knocks "shave and a haircut" rhythm ]
♪ Do you want to build a snowman ♪
♪ come on let's go and play ♪
♪ I never see you anymore ♪
♪ come out the door it's like you have gone away ♪
There was a screening as late as February of 2013, so not that far from release.
And although the individual parts were strong and working,
it just didn't add up.
[ Both laughing ]
Do the magic! Do the magic!
"Do you want to bud a snowman?" Had been taken out.
[ Knocks "shave and a haircut" rhythm ]
♪ Do you want to build a snowman or ride ourike around the hall ♪
♪ I think some company is overdue ♪
♪ I started talking to the pictures on the wall ♪
Hang in there Joan
we'd try and sneak it back in, and it was out, it was in, it was out,
and then there was sort of a groundswell here at Disney,
where the rank-and-file people wrote e-mails saying,
"why is it out? Put it back in."
Elsa?
♪ Please I know you're in there ♪
It was not put back in the film until the witching hour before we released it.
♪ I'm right out here for you ♪
♪ just let me in ♪ ♪ we only have each other ♪
Thankfully, at the very last moment, someone made the call of putting it back in,
'cause I think it's one of the best songs in the movie.
♪ Do you want to build a snowman ♪
That was a very exciting day.
People often do ask me if I want to build a snowman or sing
"would you like to build a snowman?"
And I always respond with "yes,"
so I think I have a lot of snowmen to build. A lot.
Next stop... the real Arendelle.
Where do you think it is?
For the answers to these and other questions,
the director is live-tweeting right now at "ask Frozen".
♪
While the animators were creating the characters,
the design team needed to create Arendelle.
♪
The story is telling us that these characters need to live in a world,
that is extremely vast and grand.
So that eventually led me to center on Norway.
The first thing that I told everybody is,
"get on a plane and go to Norway."
Next stop... Norway.
They found what they were looking for.
Amid the snowy Hamlets and towering Norwegian fjords.
I settled on the fjords,
because I knew that would be a stupendous setting to plant a kingdom at the foot of.
When teams go off to research,
the thing I tell them is, "open your ears, open your mind, and open your heart."
You don't know what you're gonna find when you go.
I never knew winter could be so beautiful!
Everything is so specific, from every icicle to everything someone's wearing.
When there's, like, a huge wind and things get Frozen
and how icicles go sideways and how snow moves.
When you see the movie, you really get a sense of location,
and it's because of all of the effort and research and homework that the animators did.
One of the most important things they noticed was a Norwegian pattern called "rosemaling".
Something very, very small, but it loomed very large in the world of "Frozen",
and that is the idea of rosemaling.
You'll find this everywhere in Norway.
On columns.
Ceilings.
Dresses.
We used this in our castle, on our characters.
Rosemaling was the starting point for a lot of the language of Elsa's magic.
All elements share the same language, and that's how you help to create a total world.
Snow. It had to be snow.
One of the big challenges for making snow in this film
is that we were gonna have a lot of it,
and that's something that people hadn't really done in an animated film.
This is some of our early tests with our developers.
We wanted snow to be like a character in the film, and, for the first time,
have characters actually interacting with it and to have it react to them, as well.
[ Gasps, grunts ]
We had to really understand how the snow moves 'cause we're all from Southern California.
Production sent us to Jackson Hole, Wyoming.
And for two days, we just played in the snow.
We'd build snowmen.
We'd jump, slide.
There's a moment in the film where Olaf's sliding down the hill.
I actually slid down a hill as quickly as I could.
[ Laughs ]
And just things like that really helped us out with Olaf.
We made it!
The costume department made us a huge skirt.
I got to have that on while we were tromping around in the snow.
I even had to wear the dress.
I can neither confirm nor deny whether I put the skirt on.
[Laughs]
There was one meeting that we had with John Lasseter.
We put up the ideas for what this ice palace could, would, should be.
And John thought, "well, great, but I think you folks are missing the point."
A snowflake has got six sides, and that became the focal point of it.
One thing that really helped us was this idea that we were
going to use the snowflake as a plan for the ice palace.
Once she kind of stomps her foot.
It does branch and plate throughout the whole creation.
We had about 45 different, separate things happening over the course of that one shot.
Putting in the rosemaling with the curls and then having another curl come off of that
curl and sort of piece everything together like a big puzzle.
We were able to have her trigger something that we could follow up the wall,
it would end with the ceiling,
and then using the chandelier build to get us back down to the ground.
It took about nine months to pull that off.
- ♪ The past is in the past ♪ - coming up...
The amazing story behind this hit song.
♪ Let it go let it go ♪
- All ashore! - Welcome to Arendelle!
Even as the kingdom of Arendelle was coming together.
Beautiful!
Our story was not.
The very heart of the problem seemed to be Elsa.
When I first came on, they had made her this blue character with spiky hair.
It seemed like she was just your quintessential evil queen.
She had a coat made out of living weasels,
and all the weasels would crawl up her and make this living fur coat.
They had done a great job of creating a classic evil queen.
And Disney's done that, and they're good at it,
but it's like, "can we say something new?
" Fear will be your enemy".
And Elsa was starting to remind John Lasseter of somebody he knew.
We'll protect her.
My son, Sam, was diagnosed with diabetes when he was 10 years old.
And this little guy was being poked, needle after needle after needle.
I'm scared!
And he asked, "why me?"
Calm down.
No! Don't touch me!
Please. I don't want to hurt you.
And I thought of Sam as I was thinking of Elsa.
She was born with this.
Why is she a villain?
- They found his answer in a song. - Smile, guys.
At the time Elsa was a villain,
she was still probably coming down the mountain later with her army of evil snowmen
to terrorize the village.
So we were still writing a villain song.
And we started getting into the head space of what you'd feel like
if you were that isolated.
Lock the Gates.
We'll reduce the staff,
we will limit her contact with people
and keep her powers hidden from everyone.
And we knew in this moment
that she'd go through a transformation from repressed
to letting her powers out and sort of trying to get away from society
and be who she really was.
And then Bobby came up with this vamp.
- Do you want to play the vamp? - Sure.
[ "Let it go" intro plays ]
And sometimes when we're working in our little studio,
he'll play something that just sends chills up my arms and all over my body,
and then I'm like "yes!"
[ Music continues ]
And once we kind of started writing from that,
from the reality of that, we found that we had something to say.
- We got this hook. - Kristen got the hook "let it go."
Because she had to let go of
everything she's ever known,
and yet it was this moment of exhilaration
where she could finally let go of all she'd been holding inside.
Ready?
Yeah.
[ Intro plays ]
So, I'm up on a mountain, the wind is blowing.
- In Prospect Park. - And I'm blond.
[ Music continues ]
♪ The snow glows white on the mountain tonight ♪
♪ not a footprint to be seen ♪
♪ a kingdom of isolation and it looks like I'm the queen ♪
That's Bobby's line.
♪ The wind is howling like the swirling storm inside ♪
♪ couldn't keep it in heaven knows I tried ♪
And the song wrote itself very quickly. It was a day and a half, maybe two days.
♪ Be the good girl you always have to be ♪
♪ conceal don't feel ♪
♪ don't let them know ♪ ♪ well now they know ♪
♪ let it go let it go ♪
Can't hold back anymore ♪
We sent the demo out, and everyone went,
"oh, my gosh, that's great. Shoot. We have to rewrite the whole thing."
I don't think they said "shoot," actually.
I think it was a little more four-letter than that.
I went, "oh, God. I have to rewrite the entire movie again."
The first time I heard "let it go, " I thought, " wow.
This isn't just the funny sort of evil queen song.
This was a real soulful, emotional, vulnerable song.
With all these emotions of my son, Sam,
kind of in me and I heard this song, I knew this was it.
This is exactly what this character needed.
And then, to my beautiful surprise, she was never, ever the Nemesis, really.
She was just the misunderstood young woman that we can all relate to.
That song came at the right time, and it fundamentally changed the entire movie.
♪ Don't let them in don't let them see ♪
When the song was written, that sort of liberated the whole character
in that it was so much more about a girl's...
A young woman's battle and challenges to find herself and who she was.
♪ Make one wrong move and everyone will know ♪
We had so much more fun making her this complicated, kind of tortured hero.
Enough!
Elsa.
Now that they'd figured out who Elsa really was,
the production team decided that her "let it go" moment
would be a triumphant, spectacular transformation.
So, at the beginning, you can see how she walks up the snow.
There's a certain way that she moves.
I feel for Elsa. I feel for her journey. I feel for what she's been through.
We wanted really to see the progression through that song.
She's experimenting with her magic.
She hasn't used it in so long.
- ♪ Can't hold me back anymore ♪ - so she's playing with it now.
She starts trying her powers out for the first time and really letting it loose,
letting it go and just doing it. And you see her.
♪ Here I stand ♪
Become empowered and say, "you know what? I like who I am."
♪ L the storm rage on ♪
"And if no one else can understand me, fine. I'll live by myself."
"But I like who I am, and I'm not going back."
♪ I'm never going back ♪
Letting your hair down, there's a meaning behind that, even.
♪ Let it go let it go ♪
♪ and I'll rise like the break of dawn ♪
She speaks to many people in that moment
where she's not going to be controlled by this fear.
♪ Here I stand ♪
And I think when you finally have that moment,
that "I'm going to be my truest self",
it's so liberating.
♪ Let the storm rage on the cold never bothered me any way ♪
Ahead... "Frozen" mania.
And the director is live-tweeting right now at ♪ askFrozen.
Oh, my gosh! Oh, my gosh! I'm gonna cry!
How did a movie that took 70 years to make it
to the big screen inspire such "Frozen" hysteria,
bursting through the stratosphere.
This is amazing!
To become the number-one animated film of all time?
I cannot wait for the generation of kids to grow up so they can tell us why,
'cause I'd love to know why.
The only Frozen heart around heres yours
for one thing.
Aah!
We really took the classic Disney fairy tale and kind of flipped it on its head.
I always called it kind of the anti-Disney princess movie.
A lot of other movies you see, you're just waiting for the girl to meet the prince,
and that's the "key" to their life. News flash... that's not the case.
At all.
Okay, here we go.
♪ I know it's crazy ♪
♪ we finish each other's ♪
♪ sandwiches ♪
That's what I was going to say.
"Frozen" has inspired countless father/daughter duets online.
♪ Our mental sink ronization ♪ ♪ can have but one explanation ♪
- Can I say something crazy - will you marry me
no, you're my dad!
Pint-size interpretations of the songs have become viral sensations.
I think the one that touches me the most is when this little girl,
her mom is removing her splinter.
And she is singing "do you want to be build a snowman"
everybody has their own personal sense of accomplishment.
For me personally, it's that.
♪ Let it go let it go ♪
But it's "let it go" that has become a full-on cultural touchstone.
I'll never forget the first one I heard.
The dad filmed the two twins singing. Oh, my goodness. That was hilarious.
♪ I don't care ♪
Every morning, I wake up, and somebody's sent me a video of their child singing "let it go."
We also find ourselves scolded by other parents,
who are like "I can't stop hearing your song in my head."
And it's not just little girls going nuts.
I would get people coming into my office and saying,
"did you see the marines reacting to your shot?"
♪ Let it go let it go ♪
That's awesome. It's great that they're cheering for Elsa.
[ All cheer ]
It was unexpected, you know.
[ Cheering continues ]
I never thought I would see the day U.S. marines would be cheering
on a character from an animated Disney movie.
The song's not just huge in the states.
It's a hit in almost every corner of the world.
♪ The snow glows white on a mountain tonight ♪
♪ not a footprint to be seen ♪
[Sings in different language]
And has been recorded in over 41 different languages.
And there's a camaraderie.
The international factor that all of these kids
all over the world are singing the same song,
whether it be in the same language or not,
there's something so powerful about that.
[ Singing in Japanese ]
[ Singing in Spanish ]
There's a K-pop version.
[ Woman singing in Korean ]
♪ Let it go let it go ♪
♪ the cold never bothered me anyway ♪
And an African interpretation.
But even with the worldwide acclaim,
on Oscar night, nobody was counting on going home with a statue.
You never dare to dream to win an Oscar.
I never thought I'd make it past off-Broadway.
I was aiming for off-Broadway when I graduated college.
So no, we didn't expect to win at all.
And the Oscar goes to; Kristen Anderson-Lopez and Robert Lopez for "let it go," "Frozen."
But they did.
Thank you. We love you. We love you. Thank you.
That night, "Frozen" was also up for best animated feature.
And the Oscar goes to, "Frozen"
[ eers and applause ]
The crew that made it happen
were cheering on from the studio.
We are so proud of you for making the film as magical as it is,
and we're bringing this home to you.
That sense of family was really special to me made a lot of usery emotional.
And with a sing-along DVD and "Frozen on ice" on the horizon.
[ Gasps ]
The moms of at least two future "Frozen" fans are feeling all set.
I am excited about the cool-mom street cred I might get from this role.
My kid doesn't watch TV yet,
but maybe I'll keep it in my back pocket for a rainy day,
till I really need it.
It's a pretty cool power to be princess Anna. It's a really nice superpower.
It's something I can share with my son.
I know what it's like when lightning strikes,
and to be a part of that, I'm just really grateful.
Stick around and see a sneak preview of what Disney animation has in store
and also catch a glimpse of where you might just see Anna,
Elsa, and their friends popping up soon.
So, what's next for all you "Frozen" fans?
Well, no fear, my friends. We have something else,
something another friend of mine has been up to.
Big summer blowout! Big summer blowout!
You know him as Oaken. We know him as.
Hi, family! Hello, family!
Chris! And when he's not playing this bizarre viking shopkeeper.
Vhat did you call me?
He's also a director, and in real life,
he and his friend Don Hall have made a new movie here
at the animation studio called "Big Hero 6."
Controlling them telepathically with a neurocranial transmitter!
"Big Hero 6" is a story about Hiro and Baymax, a boy and his robot.
We knew there was gonna be a robot in the movie.
The robot's name is Baymax.
Now, it was important for me to put a robot on-screen that we'd never seen before.
And no... not related.
Baymax was created to be a personal healthcare companion.
When he identifies you as his patient, he will do everything
in his power to cure whatever hails you.
Joining them are going to be Gogo, Honey Lemon, Wasabi, and Fred,
and the six of them together comprise the Big Hero 6.
We made up a city based upon two of our favorite cities, San Francisco and Tokyo.
We made San Fransokyo. And it is so cool.
Here it is for the first time on television...
A scene from "Big Hero 6." And action!
Ow!
[ Groans ]
Ow!
[ Beep ]
[ Squeaking ]
Hello.
I am Baymax, your personal healthcare companion.
Hey.
B.. Baymax. I didn't know you were still active.
I heard a sound of distress. What seems to be the trouble?
Oh, I just stubbed my toe a little. I'm fine.
On a scale of 1 to 10, how would you rate your pain?
A zero? I'm okay, really.
Thanks. You can shrink now.
- Does it hurt when I touch it? - That's okay.
No... no touching. I'm...
Aah!
[ Groans ]
Ow.
You have fallen.
You think?
Ow!
- On a scale of 1 - ... ow!
- On a scale... on a scale... - Ohh!
On a scale of 1 to 10...
[ Groans ]
On a scale of 1 to 10, how would you rate your pain?
[Grunts]
Zero.
- It is all right to cry. - No! No, no, no!
Crying is a natural response to pain.
- I'm not crying. - I will scan you for injuries.
- Don't scan me. - Scan complete.
- Unbelievable. - You have sustained no injuries.
However, your hormone and neurotransmitter levels indicate
that you are experiencing mood swings...
Common in adolescents.
- Diagnosis... puberty. - Whoa! What?!
Cool, huh? Now, I know my mother's at home right now going,
"but I wanted to hear what the characters in 'Frozen' have in store!"
So we have one more pretty cool announcement left.
We are bringing back the characters from "Frozen," and we're doing a short.
It'll have a new song. Basically the whole crew is returning. It's absolutely hilarious.
Well, that's all for now. Don't forget to visit us online,
'cause we've got lots of cool stuff there.
And make sure you check in with us at #makingFrozen.
I'm Josh Gad. Thank you, and have a wonderful night.
And don't forget.
I like warm hugs. Hope you had a great summer, bye!
Sync and corrections by masaca - addic7ed.Com -